Category: Moo's news


Hello, I’ve just got back from Wychwood Festival;

Wychwood is family friendly, civilised and intimate by your average festivals standards, but that doesn’t mean it is only for familys or is in any way boring. Set against a backdrop of rolling Cotswold hills on the Cheltenham race course the site is small enough to walk from one end to the other easily without breaking too much of a sweat or requiring any maps. There are three stages The Independent( Main) the Big Top and the BBC Introducing, as well as a new fourth arena, run by students from the University of Gloucestershire; The Pomme Stage. Here in lies the real joy of Wychwood, you can walk from stage to stage with no scrumming, losing of friends or collapsing due to sheer exhaustion and peruse all the bands you want to see with ease. The other thing about Wychwood that really appeals to me is that its not dominated by huge headliners and so is a fantastic opportunity to check out bands on their way up and see them in an intimate setting just before they hit the big time. The bill this year runneth over with really exciting new bands who are just on the cusp of hugeness, see The Arcardian Kicks, Out Like a Lion,The Epstein, The Travelling Band and 6 Day Riot to name just a few. Having said that there was no shortage of legendary headliners this year with “ ultimate festival band” the Levellers headlining Friday, The Lightening Seeds and The Happy Mondays ( minus Bez) on Saturday, moving along to Seth Lakeman and  festival veterans Dreadzone who got the crowd in a frenzy as Sunday night rolled to a close. The sun shone almost all weekend and the little downpour on Sunday didn’t dampen anyones spirits. In fact judging by the surreal shape throwing and crazy raving going on till the early hours of Monday morning in the Silent Disco it was just the refreshing shower needed to revive us for the final push to the end. Each year just gets better and better, bring on Wychwood 2011.

I was working at Wychwood FM and so for me personally the weekend passed in a glorious sunny, funny haze of interviews. The flip side of which meant that sadly I didn’t get to catch all the bands I would have liked to. Things got off to a pretty spectacular start when we interviewed The Travelling band whilst travelling on their van, it was a truly surreal and psychedelic experience, I asked them what it is about Manchester that produces such good musicians- what I really should have asked them was what is it about Manchester that produces such complete nutters?Having said that they were nuts in the most charming and amusing way possible and they also happen to be one of the most exciting live bands around at the moment, so I guess the two things go hand in hand, a touch of the genius/insanity paradigm methinks. My favourite quote from travelling Steve was “I have fun all the time that’s why I’m so sad”-that’s some deep shit right there.

Another bunch of nutty but lovely lads were the Rusty Shackles from Wales. Another chaotic but highly enjoyable interview ensued; they are also worth checking out.

Less nutty but no less exciting musically were The Arcadian Kicks as I mentioned earlier who’s debut album has been produced by Mike Chapman of Blondie, Parallel lines fame. They told me they were big Fleetwood Mac fans which got another thumbs up from me. It looks like they have the whole package to go on to huge tings, there is more buzz about them than a honey soaked beehive.  ( see pic left)

Mr B the Gentleman Rhymer did me the great honour of guesting on my show; he wanted to sing a song about crack cocaine but sadly due to broadcasting regulations that wasn’t possible. Instead he charmed us all with his song about a chap named “Timothy” please do watch him on you tube the man is a legend.( see pic right)

I also interviewed Mark from The Levellers, a great honour again as the Levellers was the first album I ever bought and I was a huge fan (when I was 12 at least). I think interviewing Shaun Ryder and The Happy Mondays was probably my highlight as they’re such an influential band of legendary status, I was a little star struck. Shaun is notoriously difficult but I managed to win him over I think, probably because he could see I was a fan.

I also want to give a special mention to Out Like a Lion, a Bristol and Bath band destined for greatness ( just ask the BBC Introducing team if you don’t believe me). And Dreadzone who were charming and rocked the crowd with their own dub, ragga, hip hop, dancehall and un-genre-able grooves-a stonkingly good finale.

Thats all for now,

Love Milly x

( with The Arcadian Kicks in an English country garden)

Hello Friends,

Festival season is here. It is official. The summer sun is in the sky and the cider swilling revellers are out in force. Not a single raindrop dared drop on the Stokes Croft Street Festival last weekend, it was a glorious sunny day and all of Bristol’s creative crowd were lapping it up onSaturday. Accompanied by live bands, street performance, face painting and of course live graffiti. Shiny, happy people as far as the eye could see wandered the streets flitting from band to band. The only dark cloud was my personal disappointment at not being able to get in to see the bands in the evening as I left it too late to get a ticket for the latter part of the day. I was gutted as I’d been looking forward to seeing local band Gecko tear it up in their bluesy, ska infected, pop/punk style. In fact I was so sad I had to be consoled with an ice cream on the way home. I also took solace in my new vintage leopard print coat that I happened upon in the park, quite a random purchase on a swelteringly hot  day you may think, but hey its a classic and I m sure Horizon VU Music’s newest addition Christine Olhman would approve.

There are some things that never go out of style, true classics endure passing fads and frivolous fashions. Things like rich soulful vocals, blues guitars, rock and roll, red lipstick and of course leopard print coats. Just check out the new release from Christine Ohlman – Deep cuts if you are in any doubt.

I am really looking forward to Wychwood festival on the 5th of June where I will be helping out with the running of an RSL festival radio station to cover events as they happen. I am going to be doing a lot of interviews, and with the Happy Mondays headlining it is sure to be eventful! Also playing are The Levellers, The (New) Beautiful

South and Pauline Black and The Selector and loads more amazing bands, too many to mention here. I am incredibly excited and am assured we have full access to all the artists so watch this space.

Take it easy,

Milly xxx

I can remember the first time I heard Kissy Sellout on the radio and  thinking “wow!” His style is truly innovative and blends an insane mix of every kind of music I’ve ever been into; rock, rave, grunge, grime, happy hardcore, wonky, drum and bass, acid house, indie, electro… I could go on listing almost every genre from the last thirty years, but you get the idea.  I’ve listened to his late night shows for years but never seen him live. To say I was a bit excited about seeing him DJ at Subtone would be an understatement.

I arrived unfashionably early and the resident Cool Cut C is already playing a stonking set of crowd pleasing floor fillers. The sound system tonight is turned up to LOUD. The sub bass is so powerful it shudders your bones andreverberates deep in to your guts, just how it should. I was expecting an army of hi-top wearing flouro kids but the crowd at Subtone are an unpretentious, mixed bunch.

When Kissy arrives and takes to the decks it really starts to go off.  Everyone surges forward and the dance-floor begins to resemble a moshpit. If you know Kissy’s style you know to expect a seemingly random selection of tunes seamlessly chopped up and thrown in to the neon coloured mix. Kissy’s influences know no boundaries and tonight is no different, from early nineties grunge (L7), glam rock (T-Rex), even some commercial house (Benny Bennassi’s -Satisfaction) makes an appearance. It seems he has no time for genre barriers or musical snobbery, if it rocks (or raves) he’s playing it. His persona is exuberant, high energy and good humoured which shines through in the music he plays. It easy to see the skill and passion that got him noticed by Radio One, this man loves what he does and it’s infectious. The filthy electro and jacking beats keep me dancing till I ache. The A-trak remix of the Yeah Yeah Yeah’s he drops is simply awesome and yet another hands in the air moment ensues. My one thought tonight is the same as when I first heard him and that is simply –“wow!”

.

Hello Blog spotters,

I just watched this http://www.youtube.com/watch?v=6iQjnnlQuWw which was made at the Save BB6 Music protest up in London last Saturday. Sadly I couldn’t be there but I was there in heart and spirit. The clip has the lovely, adorable and hilarious Adam Buxton (from my absolute favourite radio comedy show The Adam and Joe Show-if you haven’t heard it listen now before its too late-it’s bloody marvellous!).He’s speaking out about the proposed closures, and there are many other passionate music fans, DJs and musicians out in force. Fight the Power! I did get sent some hopeful news today in the form of this link: http://www.musicweek.com/story.asp?storycode=1040666 detailing the industry summit in support of saving 6 Music. Hurrah! And don’t forget to get your Joy Division Oven Gloves: http://joydivisionovengloves.com

I read it a list (a lovely, lovely list) in the NME( Bring back Melody Maker!) of the top 50 music films ever made, apparently. Well I love a good music film but was pretty unimpressed with the order of the list; I mean Walk the Line and The Blues Brothers only came in at number 42 and 49 respectively. It is a good list however and I would imagine its a tough choice to make, but I wouldn’t have put Almost Famous at number one, no way DUDE!

http://www.nme.com/list/50-awesome-music-movies/168330

I watched Nowhere Boy at the cinema with my dear old Ma recently and that was an amazing film, really beautiful and poignant. I cried, as per usual.

I’m insanely busy at the moment writing essays and other work, there’s only two weeks left of term so the pressures really on. There is some exciting stuff in the horizon though. Next Friday I’m off to review Kissy Sellout DJing in Cheltenham (whoop whoop!) and the week after I’m

working at the Cheltenham Jazz Festival (mmm nice) as Assistant Artist Liaison Manager. I’m hoping to grab interviews with some of the headline acts such as Paloma Faith, Imelda May and maybe even Elaine Paige! There are too many acts to mention but here’s the full line up: http://cheltenhamfestivals.com/

Here’s some music that’s been giving me aural pleasure this week:

1) Laura Marling All of this can be Broken

2) Darwin Deez Radar Detector

3) Caribou Odessa

4) MGMT Flash Delirium

5) Band of Skulls Death by Diamonds and Pearls

Love Milly xxx

“Are you a mod or a rocker?” Ringo Star-“I’m a mocker.”And so am I after experiencing the best night out at Mockers, in Stroud, that this jaded clubber has had in a long time.

I had heard rave reviews, myths about leather cat-suited women in cages and other tales of debauchery.  Until last Saturday however, I had not yet  been along to one of these monthly(ish) nights being put on by vinyl obsessive, party enthusiasts  Pavinyl and Nick (Solidkick) Buckle.

I arrived at about half ten and the smoky dance floor was already in full swing. What struck me immediately was the relaxed, unpretentious atmosphere. People of all ages,  and an anything goes  dress code makes this a welcoming place for anyone who like me goes out for the sole purpose of dancing and having fun, rather thanposing self consciously or drinking to oblivion.

The theme tonight is ‘Bunny’s and Boots’ so there is licence for all kinds of delicious eccentricity and exhibitionism, if you so desire. A gold flapper bunny and a 70’s glam rock bunny are getting down alongside modish chaps and rock chicks. Then there are the famous girls in cages, a tactical ploy promoter Pavinyl uses to set the tone for uninhibited partying, it seems his cunning plan is working tonight. Mesmerising projections of 60’s B movie pulp fiction, screen sirens, bunny girls and old school Hollywood glamour provide the back drop. There is live music tonight in the form of Liverpool band El Toro who play a fervoured set of filthy garage drenched in surf. They sound raw and reverby, in an ear splittingly good way.

The dancing continues in to the night as Pavinyl and Nick play a soundtrack of 60’s surf, garage, rock and soul. I’m transported back to a time before I was born when suits were tailored, mp3’s weren’t even imagined and we’re all Betty Page or James Dean. I’m already looking forward to next months Mockers. A classy night of excellent vintage.

Hi, how are you?

I’ve got writers block. Not the most promising first sentence of a written blog entry admittedly, but I always think it’s best to be honest. Well I’ve put it out there now so let’s see where this goes. I have two pieces of conflicting advice jostling in my head at the moment, one being “just start to fill the page-some of the best pieces of writing come out of seemingly nothing”-that comes from an old creative writing teacher . The other is“Make sure you know what your trying to say before you start anything” that comes from a BBC journalist tutorial. Well I don’t know what I’m trying to say but I’m going to say it anyway.

I guess the problem is I’ve had a bit of an overload of the new. It happens from time to time, especially with music. I’ve had lot’s of new things going on in my life-new jobs, new people, work which requires new ideas and after a period of listening to loads of new music, I just can’t seem to bring myself to listen to anything other than old classics. I think it’s only natural that in times of stress you reach out for the musical equivalent of a ‘so worn they’ve actually moulded to your feet’ pair of comfy old shoes.  We live in a ridiculously fast, throw away, anxiety inducing world and I think it’s absolutely necessary to sometimes just stop! Slow down-if it’s that important I’ll find out about it some time soon anyway. So in my spare time recently, I’ve had my finger less ‘on the pulse’ and more on the remote control to the TV, watching old favourites like Blackadder(“this is the stickiest situation since Sticky the Stick insect got stuck in a sticky bun”) and Father Ted.

On the music front I’ve been listening to lot’s of Ska and old Funk classics and of course my beloved BBC6 Music who play the ideal mix of old and new songs (so us over 25 year olds don’t get too overwhelmed). I see this as my down time before the festival season, which makes sense as the work load is stacked high and the funds are running pitifully low. Until I get back my zest for new music here’s my top tunes for the week (oh actually there is a new one in there-ignore everything I just said!)

1)      Toots and the Maytals – 54-46 was my number

2)      Grizzly Bear-Two Weeks

3)      Jonh Holt- Ali BaBa

4)      Desmond Dekker -007 (Shanti Town)

5) Gill Scott Heron-The Bottle and his new track Me and the Devil

R.I.P Corey Haim

R.I.P Mark Linkous ( Sparklehorse)

Yours truly

Milly

X

P.S Would fantastic bands like Grizzly Bear be enjoying their new found success without BBC6 Music and it’s presenters-who knows? But vote to save it anyway! Sign this petition http://www.petition.fm/petitions/6musicasiannet/ or go to the face book group-Save BBC6 Music.

Today is a dark day for music lovers and fans of intelligent music radio everywhere. The BBC’s director general Mark Thompson has confirmed plans to axe BBC 6 music. It’s not been given final approval but it looks bad, very bad. I had heard the rumours but didn’t want to believe it. Sticking my fingers in my ears and singing la la la to myself stopped me from actually considering the gravitas of what it would mean to lose my favourite radio station. I can no longer bathe in blissful ignorance and soothe my soul by turning the volume up on the Lauren Laverne show.  I can no longer deny that me, Lauren and the rest of my favourite faithful friends on BBC 6 Music are on borrowed time. It was less of a dawning of realization more of a brutal burst of my bubble. Like an unexpected puncture or a slap round the face. I know I won’t be the only listener feeling like this and we won’t let it happen without a bloody (probably not literal bloodshed, although…) good fight. People who care passionately about music care passionately about BBC 6 music. What other station caters for the music enthusiast as eloquently and stylishly as 6 music. plays the best music; a mature yet alternative mix of, classic, underground, independent obscure and cutting edge sounds presented by intelligent adults with knowledge, wit, style and passion. I’ve been listening  to it as I’ve been writing this and Steve Lamacq has played  tracks from Broken Bells, Flowered Up, Mumford and Sons and Delphic and now ACDC- where else? I ask you. For me it represents quality programming that effortlessly combines culture and entertainment with educational value (for music geeks like me anyway). That’s why I pay my license fee. As the anger subsides and a tear rolls down my cheek, I salute you Mr Lamacq sir, and all the presenters on 6 Music, you are an inspiration to me.

On a happier note, last weekend was Glos-Tone-Beret. The annual fundraiser for Tone Radio, the student radio station at The University of Gloucestershire. It took the format of eight bands on stage as students of Radio, Film, TV and Media broadcast live from the event. And everyone was dressed in highly stereotypical French get up, stripy T-shirts, false moustaches and berets -sacre bleu!

My colleagues Zoe, Jack and myself opened the live radio coverage with an interview with Cheltenham’s best band Thrill Collins. It was tres bien!

Hello Blogladytes,

I had a very exciting night last weekend. I was asked to be on the judging panel at The Door’s Undiscovered Youth Talent Contest in Stroud. It was a real honour and very humbling as my expectations were exceeded ten-fold. Here is the review I wrote for After Dark Magazine:

Stroud’s got talent! This was proved beyond any reasonable doubt at the Door Project’s Undiscovered Youth Talent contest. Twenty six young people aged eleven to twenty took part in the ninth annual competition having been whittled down from over sixty applicants. There were singers, dancers, bands and even a ventriloquist (Kieran Powell who won audience favourite).

Talent contests traditionally conjure up images of bad karaoke or knobbly knee contests, for meanyway. This was definitely not the case tonight; in fact I was blown away by the incredibly high standard of performance.

Thirteen  year old Ellie Higgs(winner of best original composition-pictured left) truly stood out as a singer and songwriter with individual character and  enormous potential .She’s  already nailed the elusive skill of being able write and perform with an emotional honesty that almost moved me to tears!(I said almost I’m not Cheryl Cole.)There was a wealth of talented female vocalists and a few really good bands particularly indie-rockers The Envy(pictured right) who won Best Band, and Inkerman Street who performed a rousing cover of a  BB King song (all aged between fifteen and eighteen).

The ‘Best in Show’ award went  to eleven year old Penny May who also won the best vocalist aged 11-14 category .By this point I’d clapped so much my hands were seriously chafed and some of the audience had taken to stamping their feet in appreciation instead.  Mary Jess Leaverland, a winner from two years previous, returned to do the honours of presenting the many deserved prizes. Having just won The Chinese X-factor, she’s flying the flag high for Gloucestershire as a hothouse of international talent breeding. Some of the contestants from tonight will undoubtedly go on to bigger and better things. I left the event feeling inspired, enthused and very grateful to live in such an exciting, creative part of the world .Who needs the X-factor when you’ve got the Stroud-factor?”

I also managed to get some quick interviews (at the end of a long night) with Inkerman Street and The Envy, which I’ll be playing on my new radio show on Monday.

My new radio show is on Tone Radio on a Monday morning from 10.30-12 noon and I’ve decided to call it Milly’s Marvellous Monday Morning Music Mix! M.M.M.M.M.M for short. The main premise of the show is me playing loads of music- electro, punk, funk, indie, rock, dance, rave,  new wave, no wave, Chas and Dave, actually no Chas and Dave but a real mix of styles none the less. And what better way to start the week than with a positive smorgasbord of underground, independent and alternative music? Here’s a taster of tracks I’ve got lined up to play tomorrow morning:

Camera Obscura: French Navy (My Maudlin Career)

Joy Orbison: Hyph Mngo

Delphic: Doubt

Hot Chip: One Life Stand

These New Puritans: We Want War

Teenagers in Tokyo: Talk To The Fire

Chew Lips: Salt Air

PiL: This is Not a Love Song

The XX: Crystallised

Yeasayer: O.N.E

Sky Larkin: Smarts

Future Sound of London: Papua New Guinea

And loads more. . .

I’m also presenting drive time on StroudFM on Thursday between 5pm and &7pm. So it’s a busy week ahead.

Have a good one,

Moo xxx

Moo’s news! 29 january 2010

This week I’ve been very busy producing and presenting the drive time slot on Stroud FM. It’s very different to making my own music shows, where essentially I  compile a playlist of brilliant music and then witter on about how much I love each track, throwing in some  fascinating facts (usually found on that ever reliable source of true information-Wikipedia).Drive time is a more current affairs and local interest based show intended to serve the community-not just the fringe of muso geeks I aim my usual shows at. It’s been a real challenge and great fun. In the last week I’ve interviewed the winner of the Chinese X-factor, the Oscar and Bafta nominated filmmakers behind ‘Mugabe and the White Africa’, some graffiti Artists, a bird specialist, an environmental expert and many others. I’ve also played some terrible (and some great) songs thanks to the specially compiled ‘drive-time mix cd’s’ . I actually played Disco Inferno twice in one show-aargh the shame! I also have to admit I accidently played the Kooks-I hang my head in shame. And so it is with great pleasure I return home put my feet up and listen to some music that I actually like.

And so we return to the list of bands I’m getting excited about this year. I’ll be playing tracks from these bands on my new show next week-it’s my show and I’ll play what I jolly well want!

Delorean

Big in Barcelona apparently, which is where they’re from. I don’t know much else about them other than I like what I hear. They remind me of ‘Cut Copy’ or a less annoying ‘Friendly Fires’. It’s that fusion of indie rock influences (particularly in the vocal) with euphoric piano house inspired riffs. Beat driven, synth pop with a dreamy quality. Made for festival sunsets in some muddy field, far away.

Delphic

The future sound of Manchester (I read somewhere). They are everywhere at the moment-I challenge you to find a “predictions for 2010” list that doesn’t contain Delphic (along with Ellie Goulding). So the question is should you believe the hype? I would say probably, yes. It’s right up my proverbial street. It’s yet another “indie-dance” outfit, but done with originality and style. It’s got me thinking when is there going to be a satisfactory name for this genre of music? It started out being called Nu-rave,a slightly derogatory term that became synonymous with asymmetric hairstyles, colourful skinny jeans and style over substance. There’s indie-dance, indietronic(!),electro rock, dance/ rock fusion and many other silly and irritating labels being bandied about(I do it too). What about post dance? I just don’t know. It’s quite important to me as most of the music I listen to falls into this bracket. I feel like a tosser when people ask me what sort of music I like or play. I usually just say-“everything really” after fumbling about with some awkward adjectives for ten minutes “You know, funky, electro-ish type indie/rocky-esque, sort of like…”.Pathetic really.

We Have band

They describe themselves as “a disco-rock trio”, claim they “wear their influences like a flak jacket” and reckon they sound like elephants.  Elephants? Well  they sound immense ,that’s true. If elephants are fans of funkily fervoured melodies and butt kicking basslines ,then yes elephants. Using not one but three diverse vocalists (boy/girl/boy) they have a new album in the wings called ‘WHB’ released on April 5, the album was produced by Depeche Mode and These New Puritans producer Gareth Jones. I’m excited . I feel a pre-order coming on.

Fan Death

So I’ve already declared my love for this brightly coloured funk/disco/electro duo.They have a new album out this year and it looks set to build on their previous (somewhat quiet) success. I hope so. They have all the oddball angularity of The Knife with the irresistible catchiness of say ABBA. That’s a good thing.

Let’s Wrestle

Lo-fi indie rocky stuff,with a  post-punk feel to it .They are very young but you wouldn’t know it from their song writing. Without fancy production polish to persuade you they simply rely on witty lyrics and well played notes that form good songs. What could be more straightforward?

Mid January is traditionally known as the most depressing, dreary and mind numbingly boring time of year. All the clubs are as empty as our bank accounts, the weather is less spectacular winter wonderland and more drizzly, grey and insipidly dull. Lacking in sunlight, fatter and poorer, the summer seems a long way away. It doesn’t even bear thinking about recent world news, the general destruction of the planet, the credit crunch  and the general doomed outlook for humanity. But hey don’t let all that silly stuff get you down there’s a golden lining to the January shaped cloud, and that is all the new music out  this year to look forward to-HURRAH!

I’ve had a decidedly uplifting week mainly spent on my own in my bedroom listening to, reading about and downloading new (and overlooked) bands and artists. And having new stuff to listen to always put’s a spring in my step and a smile on my face-and now is the best time of year to do it. In fact it’s what these long winter evenings were made for in my opinion. Before you know it the year is in full swing and you  can only dream of being bored as you’re too busy to even trim your toe-nails. Now is the time! I urge you to do like me and get out find yourself a little known band to champion(or ten) so when every body’s talking about them at the end of the year you can say you’ve been in to them for ages with a certain smug satisfaction. I’ve made loads of new discoveries this week but I’m just going to give you five for now. To find out the rest you’ll just have to read next weeks blog.

We Want War-These New Puritans

First on my list is not a new band but a new album from an already favourite band of mine.  “We Want War” is the first release from These NewPuritans new album “Hidden”. It’s the best track I’ve heard in a long time-bass heavy, percussion lead terrifyingly dark and dramatic. It has received enraptured reviews, and is being heralded as a masterpiece. I read the reviews and was slightly concerned it  couldn’t live up to them, but it does.

Two Door Cinema Club-Something Good Can Work

Released on the unwaveringly eclectic Kitsune Record label.It’s irresistibly  immediate, cheery and upbeat . Again not really a new band but one who’ve really come in to their own recently and look set for big things over the next few months. The perfect antidote to pessimism and apathy.

Chew Lips-Salt Air

Channelling Karen O, front-woman Tigs manages much more than a lame Yeah Yeah Yeahs, impersonation. This trio have promised much since having their demo picked out by Steve Lamaq at the start of 2009. They’ve secured a record deal and their new album(judging by this song) looks set to deliver the goods.

Marina and the Diamonds-Obsessions

Again Marina is  not so much a new artist but an artist with a new sense of confidently accomplished tracks to match her early promise. Everyone is tipping her for chart topping success this year akin to the lovely Florence last year (they’re not dissimilar in style either).

Art vs Science-Parlez vous Francais?

It’s a ridiculous track and if it didn’t have such a filthy riff I would have dismissed it as teenage, trendy and trite. However it does have one of the most awesomely filthily funky riffs that just makes me want to jump around like a teenage mosh monster.

Powered by WordPress. Theme: Motion by 85ideas.