Category: Music Reviews


Gloria
Oîdophon Echoram
Ample Play / Howlin’ Banana

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The French band, Gloria, is back after their 2016 release “In Excelsis Stereo”. If you’re familiar with the band, the new six-track recording “Oîdophon Echoram” will no doubt be in line with expectations. It’s true that the group is to some extent framed by psych-garage, but that seems a bit too narrow. In fact, the group is quite eclectic, and pinning them down one way or another doesn’t seem entirely just. Okay, go with psych-garage, but you can’t help but pick up on the texture. Moreover, the female vocals make it hard not to think back to pop “girl groups” from the 80’s and the early ’90s. Have a look and listen to “Heavy” which is the lead track from “Oîdophon Echoram”. You’ll have a pretty good sense for what to expect from the rest of the album. Check out Gloria. It’s definitely worth your time to have a listen.


Joan Baez
Whistle Down the Wind
Razor & Tie

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“Whistle Down the Wind” is the American folk icon’s first release in ten years and what she has pronounced to be her last album. In speaking about the release, she has made clear that the election of Donald Trump, gave new life and impetus to her wanting to compose and effect change through her music as she has done for decades. The album, the first-rate production work by three time Grammy-award winner Joe Henry, authentically captures Baez’s seasoned vocals. For the most part, the recording, which features compositions by Tom Waits, Josh Ritter, Anohni and Mary Chapin Carpenter, leaves one feeling skeptical or unsure toward America’s future, but in the end, we sense that there is some promise of hope in the final track, Tim Erikson’s “I Wish the Wars Were All Over”. It’s a bit sad, particularly for those who well-remember Baez from the 1960s and 70s, to think that she is taking a curtain call with “Whistle Down the Wind”, but this is an album that is emotionally genuine inspiring action in the face of social dishonesty and injustice.


Screaming Females
All at Once
Don Giovanni

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Screaming Females, Marissa Paternoster (guitar vocal), Mike Abbate (bass) and Jarrett Dougherty (drums) have once again teamed with producer Matt Bayles on the group’s seventh album. “All at Once” follows the 2015 release “Rose Mountain” with a more mature recording showing off the ability to cover a broad space in terms of genres and diversity ranging from the pop-punk “I’ll Make You Sorry” to the weighty and thunderous opening track “Glass House”. Covering a broad space is not intended to suggest that there’s room to take a leisurely sonic walk. There’s plenty of movement from start to finish. Screaming Females has successfully stretched the idea of post-punk showing off experience and confidence without losing the dynamics, passion and outright force that put them on the music map.


Laurie Anderson and Kronos Quartet
Landfall
Nonesuch

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Visit Kronos Quartet at Facebook

Laurie Anderson and Kronos Quartet have partnered to produce a superb and exceptionally intelligent 1 hour and 9 minute (30 tracks) recording. It is which is nothing short of excellent. “Landfall” relates the story of Hurricane Sandy found on Anderson’s very personal experience with the storm, the flooding and the great destruction. Anderson is well-known for her performance art has turned to what is narrative music in the sense that it meets the understood criteria, i.e, the music guides the listener, not only with respect to the story, but with respect to feeling or mood as well. this is not simply “background” music. These tracks take us through emotional moments alert, fear, and anxiety working along side with the Kronos Quartet, well-known for excellence in innovation and experimentation working in genres which extend from minimalism to contemporary classical. The Quartet delivers on the complete disorder and confusion attached to the storm. Taken as a whole, Anderson’s narrative, the violins, viola and violincello of the Quartet as well as special effects create sublime texture taking you on a sonic journey not to be missed. For the educated ear, there is much to consider, e.g., not only texture, but counterpoint and dissonance. If you feel compelled to simply “sample” the recording, go to the 9:38 minute “Nothing Left but Their Names”. It is early in the year, but “Landfall” is clearly in the running for HorizonVU Music’s best pick for 2018.


Louise Goffin
Good Times Call
Majority of One

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Louise Goffin has released “Good Times Call”, a single that’s sure to lift you up smiling. You’ll recall that since 2002, she’s recorded “Sometimes a Circle”,”Where You Lead” with her mother Carole King, “Bad Little Animals” and in 2014, and she recorded her sixth studio album, “Songs from the Mine”, featuring Alice Cooper and Johnny Depp on the single “Watching the Sky Turn Blue.” Over the holidays we joyfully received “New Year’s Day” featuring Billy Valentine. Louise has an affinity for recording songs that are just incredibly winning and pleasurable. “Good Times Call” is pop/pop-rock that’s got a great beat, melody line, and hey, it’s fun. Surely you afford .99 cents in exchange something happy!


Hollie Cook
Vessel of Love
Merge

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We’ve zeroed in on Hollie Cook’s third album, “Vessel of Love” as this week’s pick. Whether you want to categorize Cook’s work as roots, rock, reggae, or “tropical pop”, it really doesn’t matter. Her enticing vocals are very smooth and creamy making this release every bit worth adding to your collection. You can have a look and listen to “Survive” posted below, but there are other outstanding tracks. In particular, check out “Stay Alive” and “Lunar Addiction”. Producer Youth (Martin Glover) worked on the album bringing his exceptional competence with dub and electronic music. Go for it!


Starcrawler
Starcrawler
Rough Trade

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If you’re out for smack-you-in-the-face rock, Starcrawler’s self-titled release is just what you need. Arrow de Wilde is frontwoman, and while she’s been recognized for her raucous stage performances, the album gives her vocals a chance to break through on their own, which they do beyond doubt. Her power delivery brings to mind the better days of Courtney Love and she has plenty of power so as to not lose coherence surrounded by the muscle provided by band members; Henri Cash (guitar); Austin Smith (drums); and Tim Franco (bass). Yes, there’s plenty high-powered, raw energy rock with shades of soft metal and post-punk to make you jump up-and-down. The opening track, “Train” will bring you on board with tough and loud, but go on to “I Love LA” and “Full of Pride”, which are softer without loss of delivery and give the band what you might find to be a core identity. The album’s closing track “What I Want” is rock-rock featuring Arrow’s reverbed vocals accentuated by power chords and Smith’s drumming. Finally, multi-talented Ryan Adams deserves credit for having produced the album. If you’re thinking about the first download of the year, go for “Starcrawler”.


Jaguwar
Ringthing
Tapete Records

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We’re back with our “Pick of the Week”. We haven’t been slacking off over the holidays, we just didn’t see (or hear) new releases that made for a good HorizonVU fit. Jaguwar, the Dresden trio of Lemmy Fischer (vocals/guitar), Oyèmi Noize (vocals/bass) and Christoph Krenkel (drums) have released their LP “Ringthing” (as in the Electro-Harmonix single sideband modulator) and the album’s content certainly stays in line with its title. The band offers up a cornucopia of special effects ranging from noise and sweeps through to inventive applications of dynamics, which are truly notable. There are also some great vocals from Fischer and Noize on “Night Out” and “Whales”, for example. It is the case that while the all the effects tracks swirl and twirl through the songs they don’t leave much room for the vocals to live often getting in the way. Nevertheless, the LP is solid and offers up some well written and well-executed tracks. It’s likely that you’ll enjoy the melodies, and frankly, the album might serve as a reference work for alternative/shoegaze.


QTY
QTY
Dirty Hit

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New York guitarists-singers Dan Lardner and Alex Niemetz have released their 10-track album, which opens with one rockin’ track “Rodeo” (released last year as a single) and closes with the exceptionally well-crafted “Salvation”. Great male/female vocals combine with solid instrumental performances to deliver often brilliant compositions/lyrics. Though the recording was actually done in London with London with former Suede guitarist Bernard Butler, the duo (or foursome seen live) really is New Yorker and there are most certainly some “Lou Reed” flashbacks to be heard. “Dress/Undress” is our selected favorite track for all of the above reasons with emphasis on the finely executed vocals. Besides, it does bring to mind day-in/out life in The Big Apple”.


The Staves / yMusic
The Way Is Read
Nonesuch

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Visit yMusic at Facebook and iTunes

The Staves are an English folk rock trio of sisters Jessica, Camilla and Emily Staveley-Taylor from Watford, Hertfordshire, England. yMusic is a sextet chamber ensemble from New York City. Consisting of a trumpet, flute, clarinet, violin, viola, and cello, the group was formed in Brooklyn in 2008. The collaborative release “The Way Is Read” might take some extra effort to appreciate, but the album reveals both the musical differences between the two groups as well as the anticipation the music creates by bringing together consonance and dissonance. The perpendicularity of the groups is evident in the first two tracks “Hopeless” (an a cappella track from the sisters) and “Take Me Home” (art music progressivity from yMusic). The collaboration comes together and bares fruit over the remaining ten tracks. The final and title track “The Way Is Read” is unequivocally the highlight; a beautiful recording in which all talent shines through. If you’re really wanting to appreciate the collaboration, one approach is to listen to the two groups on their own. For example, have a listen to The Staves’ “If I Was” and yMusic’s “Beautiful Mechanical” then have a listen to “The Way I Read”. Realizing this might be more effort than you care to invest, go with the collaborative release, but again, be patient and have more than one good listen.


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