Category: HVUM artist news


By:  Maggie Griffin

www.ChristineOhlman.net 

Following That Beehive Queen – Christine Ohlman and Rebel Montez will be LIVE in concert on the following dates in September:

Fri. Sept. 3 8 pm (show time details to follow) The Nancy Marine Studio Theatre (part ofThe Warner Theatre complex) 69 Main Street Torrington, CT / PARTY ‘TIL THE END OF SUMMER WITH THE BEEHIVE QUEEN… LABOR DAY ROOTS ROCK BLOWOUT!!!! Join Christine Ohlman & Rebel Montez and the concert opener, The Bonesmen (www.thebonesmen.com)  at this state-of-the-art, 300-seat black box concert venue for an Americana-tinged night of soulful roots rock n’ roll to get your holiday weekend going, in high style! MORE DETAILS TO FOLLOW

Sat. Sept. 11 9:30 pm BLACK-EYED SALLY’S/ Hartford, CT 350 Asylum Street 860.278.7427

As fall kicks in, spend a warm evening at the Capital Area’s Home Of The Blues with the Beehive Queen and the Montez Boys as they throw down on Sally’s big stage. Fab Southern cuisine is also the order of the night at Sally’s. Log on to www.BlackEyedSallys.com  for directions & menu.

Sunday Sept 12 3 pm Storrs Downtown Council Annual Festival / Storrs, Connecticut. Christine guests with David Foster & The Mohegan Sun All-Stars (James Montgomery is also slated to appear) for this yearly autumn festival that’s filled with good food, good friends, and, as always, hot rock n’ soul, played All-Stars style. Come and celebrate on a warm afternoon as summer rolls out and fall rolls in!

Sunday, September 26 4 pm (Sunday fest schedule begins 11:45) WESTPORT DOWNTOWN MERCHANTS ASSOCIATION PRESENTS THE 3RD ANNUAL BLUES, VIEWS AND BBQ FESTIVAL (SEPT. 24-26) Westport, CT Christine guests for the festival finale, “The Uptown Horns Revue, featuring Christine Ohlman, Debbie Davies and Joe Louis Walker.” It’s a dream-team of a lineup, guaranteed to rock your world!
For more info, log on to: www.BluesViewsBBQ.com 

Available Now – Get Your Healin’ Special Re-Release!

Featuring Dr John, Funky Meters, BB King, Irma Thomas, Allen Toussaint, Guardians of the Flame, Blu Lu Barker & more!

NOMC was struggling in its infancy in 1999 when music advocates and advisors came together and planned an album to benefit the clinic. Get You a Healin’ features 100 musicians representing the heart of NOLA music. As a result NOMC today provides health services for more than 1,800 musicians and their families.

Click Here to GET YOUR HEALIN’ 

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Photo: Ron Boudreau, Make-Up and Hair Stylist: Stella Margaritis

Photo: Ron Boudreau, Make-Up and Hair Stylist: Stella Margaritis

Elie Bertrand is perhaps best known as the drummer for Scarlet Sins http://www.scarletsinsonline.com. She was born on was born on December 25th 1989.  She grew up  in Chambly, a suburb of Montreal, Quebec and began playing drums at 5 years old.

Elie, thanks so much for taking time to talk to us. We have really been looking forward to speaking with you.Following on our brief introduction, tell us what happened in your musical development once you started playing drums?

EB: I did start taking lessons at the age of 5.  I  joined a music program in grade 5 where I would go to school in the morning and go to music school in the afternoon. We would have all different classes like theory, composition, history, etc… I did that for 4 years and then I left the program to focus more on my professional career.  At 14, I started playing professionally in a classic rock and blues cover band. From that point on, I joined a bunch of cover bands, a percussion troop called Insolita, then at 17, I moved to Toronto to joined Scarlet Sins. When that venture ended last November, I moved back to Montreal.  Since then, I’ve been playing as a freelance drummer in different bands and for different artists. Over the past 6 years I have had the chance to open up for DJ Champion, Motley Crue, Vixen, perform on TV, play some huge Festivals like the International Jazz Festival of Montreal, the International Blues Festival of Tremblay, the Ultimate Drum Camp of Orford, the International Cape Breton Drum Festival just to name a few.  It has been pretty amazing and I can not wait to see what’s next!

In terms of your development, who was your major influence (or were your biggests influences)?

EB: I have so many influences for different reasons… I always find it so hard to answer that question briefly because music is like painting. You always use many colours to do a painting, so I have many very different influences. Here are a few drummers Dennis Chambers, Carter Beauford, Paul Brochu, Daniel Adair, Chris Adler, Ange E. Curcio, Emmanuelle Caplette, Carmine Appice… I could go on and on but those ones definitively have had a major impact on my playing.

Describe your sound? What makes Elie, Elie as drummer?

EB: Wow… What a cool question… Well, definitively there are a lot of funk and blues signatures in my playing because that’s what I played the mostwhen I started… It’s my base. There is a lot of latin even though I can’t really play latin drums because my dad use to play a lot of Cuban percussions so I often through in clave over some metal beat. And there are also a lot of paradiddles because it’s my favourite rudiment in the world. I always say: “It’s all about paradiddles!”

Tell us a little about life with Scarlet Sins? Any great moment that sticks in you mind? Any good stories you can tell us on or off-stage with the band?

EB:  There are so many great memories I keep from this venture. I learned a lot. It was my introduction to the hard rock and metal world. I always loved listening to that kind of music but was never part of an original band that played this before. We had so much fun together. We’ve shared very special moments. We had a lot of huge opportunities and a lot of very cool off stage moments.

Here’s a pretty cool one. OMG. I still laugh my ass off thinking about it: That happened in Seattle when we went down in 2007 to play the

Scarlet Sins

Scarlet Sins

PowerBox Festival. Cris and Syl were sharing a room and T and I shared another. In the middle of the night T got up because she was jetlag or what ever and well being a lady, she decided she would put some moisturizer on her face to take care of her beautiful skin… But she mixed up her eye-lash glue tube and her moisturizer tube because her eyes weren’t wide open or I don’t know… So she basically glued her face and eyes open… So she puts the glue on her face, goes back to bed and well she obviously realized something was wrong, so she tried to stay as quiet as possible and went to the washroom to clean it off but she hit herself on her bass case that was in the way and made so much noise so it woke me up but it wasn’t enough for me to get out of bed… The next morning I asked her what the heck happened… She told me the story… And of course I was rolling on the floor… The first thing I did was to run to Syl and Cris’s room… Told them the story and we must laughed for a good 10 minutes straight… It was SO hilarious…

What has been the highlight of your career to-date?

EB: I have been very fortunate since the beginning of my career. I played during huge events and concerts with some awesome artists but I have to say as a drummer when I played the International Cape Breton Festival 2010 alongside some of the most respected drummers in the world I was in heaven. The lineup was absolutely insane. I shared moments with some of my idols. We laughed, we jammed, we talked, we partied… It was amazing. I learned so much about everything that weekend. It was amazing!

What makes a good drummer?

EB: Musicality. A drummer can have the best techniques, be super fast, have perfect time… It’s not interesting to listen and watch a drummer play that doesn’t have musicality. At least I don’t think so. I like musicians that live the music. They feel it coming down their veins. They are not playing the song they are the song. It makes such a big difference. They listen to everything that’s going on and they communicate their feeling through music. It’s absolutely mesmerizing to live those moments and to watch them happen!

In researching for our meeting with you we took a look at readily available lists of greatest drummers. Honestly, Elie, it’s really hard to find a list with one (let alone more than one) female drummer – in addition to yourself, other names come to mind such as Cindy Blackman, Sheila E., Carla Azur, Sandy West, Caroline Rue…but really, in your view, why is it seemingly so hard for female drummers to get recognition?

EB: I don’t think it’s hard to get recognition. I think women are just not as interested to play that particular instrument as men are. The ratio in the music industry is 20% female 80% male. Most of that 20% are singers and classical musicians. You know you could also ask why aren’t there more men dancing? I think it’s just a lack of interest. A woman on drums is like a woman on the hockey team, people notice it more maybe and might act differently. Sometimes it makes it easier sometimes not. We all have as individuals different challenges and we just have to deal with it. Such is life I think.

HorizonVU Music works with emerging artists. We always do our best to coach young musicians as to the ups and downs of the music business. What words of advice do you pass along to young musicians wanting to be stars? Help us out.

EB: I think the 2 most important things to remember in this business but also in general in life are to have the passion and to believe in yourself.

Photo: Ron Boudreau

Photo: Ron Boudreau

No matter what you do make sure you’re always happy. Don’t let people bring you down. Learn from everything and everyone and move on quickly from the disappointing moments. Someone recently told me this and I thought it was absolutely brilliant: “Things are never permanent, nor the bad nor the positive things”. When something good happens you have to enjoy every moments of it, be grateful for it and when you’re having a rougher patch remember that it’s not forever and remind yourself why you’re doing this in the first place: the passion and the love of music or what ever what you’re doing. It’s not always easy but if you have the passion you’ll always go back to that happy place.

One final question…What is Elie doing now and what are your plans for the future?

EB: Well well lots and lots. I have a very busy fall coming up. I’ll be performing with my different projects and I am also getting ready to play the Montreal Drum Festival which is a HUGE deal for me because I remember attending the event at the age of 5 and saying that one day I would play there. This dream came true. It is the biggest drum event in Canada so I am very excited about it. 2 months to go woot woot!

El, thanks so much for taking time out to talk to us – we love your work and hope you’ll come back and visit with us.  Before we finish up, I have to run this one by you…While we were talking my friend here was good enough to actually look up “paradiddle”…Here goes – accordingto Merriam-Webster, the origin of the word is unknown, first known use 1927, and the word refers to a quick succession of drumbeats slower than a roll and alternating left- and right-hand strokes in a typical L-R-L-L, R-L-R-R pattern. There you have it!

Before wrapping up, we want to share your vid “Laid To Rest – Lamb Of God – Drum Cover” – very cool!

EB: Phil this was an absolute pleasure. Thank you very much!

To know all about where, when, with , and with whom Elie is  playing along with current news stay tune to her website: http://www.eliebertrand.com/ and join my Facebook page: http://www.facebook.com/ssarras#!/pages/Elie-Bertrand-Drummer/118426748191961?ref=ts.

News from Christine Ohlman – The Beehive Queen of Saturday Night Live’s Band:

Available Now – Get Your Healin’ Special Re-Release!

Featuring Dr John, Funky Meters, BB King, Irma Thomas, Allen Toussaint, Guardians of the Flame, Blu Lu Barker & more!

NOMC was struggling in its infancy in 1999 when music advocates and advisors came together and planned an album to benefit the clinic. Get You a Healin’ features 100 musicians representing the heart of NOLA music. As a result NOMC today provides health services for more than 1,800 musicians and their families.

Click Here to GET YOUR HEALIN’

If it’s electronica/pop/rock you’re looking for – and a lot of fun – we have the answer ! We recently caught up with R-mione in Paris and spent some time over coffee catching up with our good friend. In fact, R-mione’s music covers a wide range. It can be very upbeat and driven and/or very soothing – mellow often owing to the artful use of electronics. We have to tell you that in addition to being extremely talented and energetic – R-mione is absolutely delightful and the when you talk with her the time flies by!

Hey! Great to see you! Tell us about yourself and your music background.

R: I was born in the south of France at Nice Côte D’Azur on the Riviera. I grew up for a time in Chalon sur Saône where I started playing the piano and studying music theory. I can’t say I was a great student and early on I found I was interested in rock music and bored by music theory! Some years later, when I was fifteen, I moved to Lille in the north of France and started taking guitar lessons.

That must have been quite a change from the Mediterranean to Lille in the north!

R: Yes, that’s true, but we had to move because of my parents’ work. Anyway, I wasn’t there too long as at eighteen I moved back south to Niceand oursue my own life and interests. I worked at the National Theater of Nice to earning a living and pay for my studies at the university (letters). I also took music theory and voice lessons with a famous conductor. I joined a grunge band as lead singer. That’s where I met my best friend, Lord Speed, the leqd guitarist!

Grunge band? How did that work out?

R: Well we actually performed a lot and in 1997, the band had to move to Paris. It was at this time I really started getting attracted to production and I also met a lot of different artists across genres – especially rap and electronic. I started to aquaint myself with electronic machines, samplers, computers and home studios.

Okay, but that’s quite a step forward. How did you learn to use the equipment and how did all that change your music?

R: First, my music moved from rock to trip-hop and jungle influences came into play. Lord Speed and I left the band and started new projects. We signed with Bis Music FRANCE to do some albums in 1998. Second, at the same time, I joined THE SOUND ACCESS engineer school and was set to graduate in 2000. I became a producer at that time. Lord Speed and I created a label, SELVA CONNECTION. We made vinyls for DJ distributed by Under One Sun based in the U.K. One of the most famous is LWD.

We scored music for the cinema-like “Electron Libre” movie by Marie Donnio. Also we did “Petite Copine” by Frederic Defenthal. We also worked with Game One TV.

And your music at this point?

R: By now we had created a style of our very own by injecting a subtle mixture of all our influences – electro, rock, folk, and trip-hop influences. Our lyrics are in English and the voice moves from clearness to a blues emphasis – all sustained by a half-rock (bass/guitar) and electro (DJ).

What are you doing now?

Well, at the present time I’m working on a new album. New singles are “STOP”, “PRIVATE GARDEN” and “WHERE IS LOVE”.

Alright everybody, you can hear R-mione and see the vids for “PRIVATE GARDEN” and “ “WHERE IS LOVE” at http://www.myspace.com/rmione. Vids for all three songs are on YouTube (also check out the HorizonVU Music YouTube Channel).

R-mione, great to see you as always – you’re a good friend of HorizonVU Music! Best of luck to you!!! We’re going to leave you all with (probably) our favorite “PRIVATE GARDEN”!!!

  By: Maggie Griffin

We Have The Beehive Queen of Saturday Night Live’s Band, CHRISTINE OHLMAN on a GPS Signal!


There’s nothing like the Beehive Queen – Christine Ohlman – and Rebel Montez new CD “The Deep End”. Her Rock n’ Soul is wizzing, winding up her fans when she is live in concert. Moving forward at the speed of light……Below this clip; read the Beehive’s Trip

Thursday August 5, 8 pm CHAKOUR FAMILY & FRIENDS/ MAJESTIC THEATRE W. Springfield, MA; 131 Elm Street (413) 747.7797 Christine guests with her musical soul brother Mitch Chakour, the super-talented Alex Chakour (guitar) and Alecia Chakour (powerhouse vocals), along with friends Cliff Goodwin, Wolf Ginandes, Steve Bankuti and Deric Dyer for their annual family-flavored concert at this wonderful, jewelbox performance space. For more info and directions, log on to www.majestictheater.com  

Sunday Aug. 8, 1 pm CD Signing BORDER’S BOOKS & MUSIC Meriden, CT (inside the Meriden Mall) 470 Lewis Ave. 203.237.5510. Join the Beehive Queen as she meets, greets, and visits, all in support of her latest, “The Deep End”. Shop ’til you drop, then come on over to Borders and add to your collection of Christine Ohlman & Rebel Montez CDs. See you then!

FACEBOOK NEWS….BEEHIVE QUEEN FAN PAGE up and running….Christine invites you personally to log on below, click the “Like” box at the top of the Fan page, and you’re in, for news, free downloads, advance concert info and so much more from the world of The Beehive Queen & Rebel Montez CLICK HERE for Beehive Queen on Facebook  

Order “The Deep End CD at HorizonVU Music: www.HorizonVUMusic.com

Check Out What EVERYONE else is saying, writing and raving…

THE DEEP END HMG RECORDS (HMG 2009)
Fourteen songs of life and love tempered by loss from the Beehive Queen of blue-eyed rock n’ soul, in a style SIRIUS/XM’s Dave Marsh calls “Contemporary Rock R&B.” Co-produced by Andy York (John Mellencamp) with Rebel Montez: Cliff Goodwin (guitars-Joe Cocker/Robert Palmer); Michael Colbath (bass), and Larry Donahue (drums). Featured are duets with Dion, Ian Hunter, and Marshall Crenshaw, plus guest appearances by Levon Helm, G.E. Smith, Big Al Anderson, Eric “Roscoe” Ambel, Paul Ossola, Catherine Russell, Shawn Pelton, the Asbury Juke Horns w/ Mark Rivera, Mitch Chakour, Jeff Kazee, and Vic Steffens.

It is Ohlman’s first CD of new work since 2004’s “Strip”; her recording hiatus followed the deaths of both longtime mate and producer Doc Cavalier and Rebel Montez guitarist/founding member Eric Fletcher (a pristine radio air shot of Ohlman with Fletcher is one of the CD’s bonus cuts).

The critics rave…..
“There are so many ‘wow’ moments”- Dave Marsh, SIRIUS/XM Radio personality / Rolling Stone editor emeritus “Whatever she touches becomes soulful and passionate. Ohlman always sounds like her born-to-be-bad self, belting out songs like the spitfire she is. It’s that swagger combined with tenderness that makes her so compelling…the perfect balance of raw soul and gutsy rock. Perhaps the most powerful and potent moment is the title track, a gospel-infused swamp ballad that seems autobiographical, especially when she sings that she’s ‘hard to handle, the excitable kind/take off runnin’ when I could’ve walked.’ Ohlman never flinches from the hard stuff and throughout The Deep End, she dives in like the classic soul kings and queens she idolizes.” – Hal Horowitz, The All Music Guide

“Ohlman and Rebel Montez concoct a Soul atmosphere as thick and palpable as a humid Southern night. Ohlman’s voice is a dusky, supple thing of dark Soul beauty, like a gene splice of Dusty Springfield and Delbert McClinton. She sells the album’s handful of covers with aching authenticity, from her duets with Marshall Crenshaw on the Marvin Gaye/Mary Wells classic “What’s the Matter with You Baby” and with the incomparable Dion on “Cry Baby Cry.” But the standouts on The Deep End are Ohlman’s stunning originals, which blister and soothe in equal measure.”- Brian Baker, Cincinnati CityBeat

“The husky-voiced singer is a full-package talent, a dynamic rocker who draws on soul and blues in ways that give her music a classic feel even as it pulses with her own personality. Make no mistake: If Ian Hunter, Dion DiMucci, Marshall Crenshaw, Levon Helm, G.E. Smith, Big Al Anderson, and Eric Ambel draw you into The Deep End, it’s Ohlman who ends up making the biggest impression. As in: ‘Wow’.” – Nick Cristiano, Philadelphia Inquirer (syndicated)

“As a singer, Ohlman makes each song sound like a prime cut on a jukebox in a Memphis barbecue joint. Hit(s) the sweet spot, straight and true.” –Vintage Guitar Magazine

“Expect this album to pepper a few best-of lists in December. The songs on The Deep End draw as much upon gospel and urban doo-wop as they do blues and Americana. “I surrender to the rhythm in my blood”, Ohlman sings in ‘Like Honey’. Me too, Christine, me too.” –Bill Holmes, www.popmatters.com

“Christine Ohlman and her band Rebel Montez have just released their sixth studio album, The Deep End, to what will undoubtedly be rave critical acclaim. Let it begin here. It’s staggering!” – Reb Landers, www.thealternateroot.com

“The record, like any good bit of love, has layers: not so much warning as honest admission – or perhaps understanding – of love’s varied means and ends. In fact, the blues isn’t always about being sad, but simply allowing room for the myriad reaches and complexities of emotion.” –Kim Ruehl, NoDepression.com

“Don’t let the beehive hair or glammed-up persona fool you. Christine Ohlman can deliver the goods. With a delivery that carries all the joy of early rock and roll, Ohlman owns the voice of choice for every style from edgy blues to tender R&B to sweet country to bittersweet singer-songwriter”. – Blues Revue – June/July 2010

“There’s a wondrous familiarity and traditionalism in Christine Ohlman’s old-school, rough-hewn, Southern-soul roots rock..(she) is loyal and true to her roots while setting herself audacious new challenges: deeply impressive.” – Chris Arnott, The Advocate, New Haven, CT

“On her latest record, seasoned R&B chanteuse Christine Ohlman writes and sings about human interactions, from irresistible sex to true love and, ultimately, unbelievable loss. There’s never a doubt that Ohlman is singing from an experienced heart.” – Kay Cordtz, Elmore Magazine

“[Ohlman] sings in a gutsy rock ‘n’ roll voice edged in soul and blues, part Bonnie Raitt and part Genya Raven, with an element of Van Morrison’s early wildness. Her throwback sound combines the romanticism of Brill Building pop and horn-fed Stax muscle (courtesy of the Asbury Jukes’ Chris Anderson and Neal Pawley) into a potent rock ‘n’ roll stew. Ohlman’s band is similarly road-tested (the bass of Michael Colbath is particularly notable).” – www.hyperbolium.com

“If you give “The Deep End” a spin, you’ll be an Ohlman fan for life. (4 stars)” – The Daily News, McKeesport, PA (Pittsburgh Metro)

“The “Beehive Queen” is a hard rocking Memphis soul fueled dynamo, and The Deep End may be her finest album yet…absolutely beautiful.” – Michael Buffalo Smith, Gritz Magazine

“In its original form, rock n’ roll was a blend of blues, country and gospel. Christine Ohlman practices rock the old-fashioned way. Like the music she makes, Ohlman seems timeless.” – Eric Danton, The Courant /Hartford, CT

“‘Cry Baby Cry’ (a duet with Dion) ought to be blasting out of a ‘55 Chevy radio on a hot summer night” – Wayne Blesdoe, Knoxville News-Sentinel

“I do have a favorite, however, and it’s another example of the cache that Christine Ohlman carries within the music world… enlisting the services of rock legend Dion DiMucci to sing with Ohlman on the gospel-tinged ‘Cry Baby Cry’ is a great touch.” – Reb Landers, www.thealternateroot.com

“A perfect concoction of musicianship and road weary soaked vocals….making the disc a solid listen is the wonderful group of musicians, Rebel Montez, who really add an exceptional backing groove to these 15 tracks and gives it an A-plus sheen. The Deep End is a diamond in the rough.” – Carl Cortez, iF Magazine

“Ohlman exudes rock and soul authenticity from her wailing vocals to her beehive hairdo..a confident, cool and street-savy diva.” – M Music and Musicians (successor to Performing Songwriter)

“The Beehive Queen has never sounded better”- Andrew Loog Oldham, Producer, The Rolling Stones / SIRIUS/XM Radio personality

UPCOMING DATES
Monday, August 16 6:30 pm “MUSIC ON THE RIVER” at the GOODSPEED OPERA HOUSE / SUMMER CONCERT SERIES East Haddam, CT 6 Main Street 860.873.8668 Christine Ohlman & Rebel Montez close out the 2010 Summer Concert Series (on the lawn adjacent to this venerable historic landmark) with a beehivin’ bang. Nestled on the banks of the Connecticut River, Goodspeed is world-renowned as “The Home Of The American Musical.” The series is presented by the East Haddam Parks and Recreation Department, and although the concert is free, there will be a chance to donate to support next year’s series. Note: In the event of inclement weather, the concert will move to: Nathan Hale-Ray High School / 15 School Drive/ Moodus, CT 06469

Sat. Aug. 21 7 pm stage time (Event runs 6-9 pm) Pittsfield, MA / WordXWord Festival Kickoff Event / “Gala Rooftop Party” atop the Greystone Building, 440 North Street /Pittsfield, MA Mark your calendar and plan to make the scene in the Berkshires to support this sweet summertime fest. The Beehive Queen & The Montez Boys will torch this kickoff fundraiser party, together with Boston DJ Ryan Brown, who will spin before and after Christine’s set. Tasty Tapas provided by Mission, and wet your whistle with ‘Gansett tall boys and a selection of Spanish wines. Tickets are limited, so get yours…or be forced to evesdrop on the fun from the street! Individual tix $35, available at Mission Bar+Tapas and The Market. FESTIVAL PASS HOLDERS GET INTO THE EVENT FOR FREE!

Thurs. Aug. 26 9 pm The Hi Hat Providence, RI 3 Davol Square 401.453.6500 It’s the Queen’s first time at this venerable Providence dance club, and she and The Montez Boys plan to bring on the hip-shake, big time! Come early for dinner, and dance the night away to the sounds of Beehive Rock. Directions and info at: www.thehihat.com

Fri. Sept. 3 8 pm (show time details to follow) The Nancy Marine Studio Theatre (part ofThe Warner Theatre complex) 69 Main Street Torrington, CT / PARTY ‘TIL THE END OF SUMMER WITH THE BEEHIVE QUEEN… LABOR DAY ROOTS ROCK BLOWOUT!!!! Join Christine Ohlman & Rebel Montez and the concert opener, The Bonesmen ( www.thebonesmen.com) at this state-of-the-art, 300-seat black box concert venue for an Americana-tinged night of soulful roots rock n’ roll to get your holiday weekend going, in high style! MORE DETAILS TO FOLLOW

Sat. Sept. 11 9:30 pm BLACK-EYED SALLY’S/ Hartford, CT 350 Asylum Street 860.278.7427

As fall kicks in, spend a warm evening at the Capital Area’s Home Of The Blues with the Beehive Queen and the Montez Boys as they throw down on Sally’s big stage. Fab Southern cuisine is also the order of the night at Sally’s. Log on to www.blackeyedsallys.com for directions & menu.

Sunday Sept 12 3 pm Storrs Downtown Council Annual Festival / Storrs, Connecticut. Christine guests with David Foster & The Mohegan Sun All-Stars (James Montgomery is also slated to appear) for this yearly autumn festival that’s filled with good food, good friends, and, as always, hot rock n’ soul, played All-Stars style. Come and celebrate on a warm afternoon as summer rolls out and fall rolls in!

Sunday, September 26 4 pm (Sunday fest schedule begins 11:45) WESTPORT DOWNTOWN MERCHANTS ASSOCIATION PRESENTS THE 3RD ANNUAL BLUES, VIEWS AND BBQ FESTIVAL (SEPT. 24-26) Westport, CT Christine guests for the festival finale, “The Uptown Horns Revue, featuring Christine Ohlman, Debbie Davies and Joe Louis Walker.” It’s a dream-team of a lineup, guaranteed to rock your world!
For more info, log on to: www.bluesviewsbbq.com

Sat. Oct. 2 10 pm Cafe Nine/New Haven, CT 250 State Street 203.789.8281 It”ll be an Autumn hipshake at the Beehive Queen’s fave hang for original music, seven nights a week. The Nine is always a place where new songs get played and old favories get appreciated. And now there’s FREE (yeah, you read it right!) PARKING behind the club. Rock on over to www.cafenine.com for all the news.

Friday, October 15 one show- 8 pm The Turning Point Music Cafe Piermont, NY 468 Piermont Avenue 845.359.1089. Christine Ohlman and Rebel Montez make their inaugural appearance at this jewelbox of a club that has justly earned its reputation as one of the premier showcase destinations for touring bands on the East Coast. Reserve early for seating (the club holds 70 and has a strict “no standing” policy) and plan to get down deep in the Beehive! Pre or post-show dinner can be had right upstairs at Tequila Sal Y Limon (call 845.680.6740) For info, reserve advance tickets and directions, log on to: www.turningpointcafe.com

Thursday, October 21 7 pm “ONE NIGHT BAND” WITH BAND TOGETHER- TO BENEFIT NEAR & FAR AID/ The Fairfield Theatre Company (Stage One), Fairfield, CT 70 Sanford Street 203.259.1036 Christine joins the great artists of Band Together along with fellow soul diva Giselle Jackson and soul man Frank Simms for a fab night of music spotlighting the great dance tunes of the Seventies…all to benefit a great cause. Tix are $75 and avail at FTC Box office or by mail. Log on for more info: www.bandtogetherct.com and www.fairfieldtheatre.org To learn more about Near & Far Aid: www.nearandfaraid.org

Sat. Oct. 23 9 pm The Knickerbocker Cafe Westerly, RI 35 Railroad Avenue 401.596.4225 The Queen’s premier show at the Knick this spring was a fab, fab night….and we invite our Connecticut AND Rhode Island fans to do it all over again on a sultry Fall evening. Beehivin’ is easy at the The Knick, with its rich rock n’ blues history, its superb kitchen (try the fish!!) and big, big dance floor. For directions, menu and info: www.theknickerbockercafe.com

Fri. Nov. 26 9:30 pm BLACK-EYED SALLY’S/ Hartford, CT 350 Asylum Street 860.278.7427 Make the post-Thanksgiving scene with the Queen. Throw the leftover Turkey in the fridge and come on down to Hartford’s Home Of The Blues for some Southern-fried, non-turkey cookin’ and some great Beehive rock! Log on to www.blackeyedsallys.com for directions & menu.

“STRIP” REVIEWED IN THE ALL-MUSIC GUIDE…
“Like a female Bruce Springsteen or Southside Johnny, she uses her encyclopedic knowledge of soul, blues and swagggering leader-of-the-pack 60s girl group pop to texture her mini-dramas that exude a distinct urban sensibiity. Ohlman’s originals dominate the album, shimmering in a backstreet glaze of moody, drizzle-drenched shadows…” – Hal Horowitz

And don’t forget Re-Hive, the 2008 career retrospective (HMG 1189), featuring choice cuts from the Christine Ohlman & Rebel Montez catalogue. Cliff Goodwin comes on board on guitar, big-time, for brand-new Chicago blues classic covers “Killing Floor” and “Dimples.” Re-Hive includes seven alternate takes (including a live version of “Then God Created Woman”) and previously-unissued versions of the Percy Sledge soul classic “It Tears Me Up” and eighties-era dance floor raver “Charmaine.”

Check out the January/February 2009 issue of Elmore Magazine, with its timeless mission of “Saving American Music” for Christine’s cover story on the queens of the genre known as Deep Southern Soul, as well as a review of “Re-Hive”, the new compilation CD by Christine Ohlman & Rebel Montez. Excerpt below…
Want more? Log on to www.elmoremagazine.com to grab your very own copy!

QUEEN OF HEART AND SOUL by Christine Ohlman ELMORE Magazine
Jan/Feb. 2009 / cover story excerpt:
“When Aretha Franklin sprang, full-throated, out of obscurity at age 14, sitting down at the piano in her father’s Detroit church and banging out “Yield Not To Temptation,” caught for posterity on a reel-to-reel tape recorder, she was years away from Soul Queen status. She’d still have to run the gauntlet through a stint in New York City on Columbia Records, where she’d record off-the-mark songs like “Rock-a-Bye Your Baby With a Dixie Melody” for Mitch Miller. That deal eventually went south and so, wisely, did Franklin, landing in Muscle Shoals, Alabama in 1967 with producer Jerry Wexler and the cream of the FAME (Florence Alabama Music Enterprises) studio band behind her…”

Drummers gone wild!!!!!! Pix from the last session for tracks for “The Deep End” with the legendary Levon Helm on drums and Christine’s sit-in with Jaimoe & his Jassz Band at the Blender Theatre, NYC are posted on www.christineohlman.net and on MySpace at www.myspace.com/christineohlmanmusic

ALSO CHECK OUT PHOTOS from the “Celebrate Brooklyn Bill Withers Project,” where Christine shared the stage with Nona Hendryx, Jim James of My Morning Jacket, Angelique Kidjo and the legendary Persuasions and Cornell Dupree.

“The Hard Way”, that good-girl-goes-bad theme song of Christine’s very first CD, got major tube action on the Lifetime Channel’s made-for-TV flick “Sex & Lies In Sin City.”

The Deep End made the list of Top 50 Songs Of 2009 on North Fork Radio!

SOUTHERN TOUR NEWS….The Beehive Queen spent a funky & fabulous week in New Orleans, ending up in Muscle Shoals, Alabama, on stage with the super-gritty Paul Thorn. Also in the house–some of the great session cats of Southern soul music, including Spooner Oldham, David Hood, and Jim Hall. Check it all out on YouTube

IAN HUNTER’S “SHRUNKEN HEADS” (ON WHICH CHRISTINE GUESTS) WAS CHOSEN BY THE NEW YORK DAILY NEWS AS ONE OF THE YEAR’S TOP 20 RELEASES.

FOR FULL CALENDAR AND TO PURCHASE CDs, visit: www.ChristineOhlman.net

e-mail: info@christineohlman.net

By: Maggie Griffin

For years we know Christine Ohlman, lead vocals on the band for Saturday Night Live. And for years her fans grew by the thousands, growing to

Photos: Rick Kallaher Design: Adam Seth

Photos: Rick Kallaher Design: Adam Seth

love her in voice, talent and performance. And with Christine being a native of Bronx, New York, she was born to Rock n’ Roll with a lot of Soul.

Coming from a musically talented family, she began to tune up the volume since she was a toddler. Amazement by her riff, Christine states “My parents were my inspiration through their encouragement to my siblings and myself in the music industry. Coming from a musically talented family and background, in the early 70’s, my brother and I had a band and made our first recording”.

At the age of 17, “Wake Me, Shake Me” was Christine’s first release, breaking the top 100 in singles. Amongst being the lead vocals in the band on Saturday Night Live, Christine recorded 6 albums, which includes the new release of her newest CD “The Deep End”. Christine feels strongly when she stated; “I love my fans. Their support means everything to me. What I do in the Music Industry is for them.” Music to my ears when Christine told me how much she loves her fans and what her fans mean to her, as I have been a fan of Christine Ohlman as far back as I can remember.

Christine’s new release of The Deep End with Rebel Montez is:

Christine Ohlman – vocals, acoustic and electric guitar;
Cliff Goodwin – vocals, lead guitar;
Michael Colbath – bass, vocals;
Larry Donahue – drums, percussion

Christine is proud to be with these excellent performers as they too are well known names in the music industry. All of them combined are Rebel Montez.

Christine Ohlman is still the current and long time vocalist, with the Saturday Night Live Band, who sang in their 25th anniversary telecast, Bob Dylan’s 30th Anniversary bash at The Garden with George Harrison and Chrissie Hynde. Christine, the queen of blue-eyed rock n’ soul , also made her special appearance at the 2009 Obama Inaugural Gala in Washington, DC, The Lincoln Center “American Songbook” series with Sting and Lou Reed. That’s not all. Christine Ohlman’s performances with many others in the music industry, draws her fans to her like a magnet. Christine will tell her audience, “I’ve come here to set your souls on fire”. With Christine’s Saturday Night Live “Swine Fever”, Raves for Re-Hive, interviews with the New York Times, this Beehive Queen also Rocked Elmore Magazine. Shall I mention Rolling Stone as well? She is everywhere.

Members of The Rebel Montez are the most valuable people to her as for her new release of “The Deep End”, which is available on sale now. Along with Christine’s long standing history in Rock n’ Roll, she is deep in Soul with the members of Rebel Montez.

It is a pleasure to introduce and give you a glimpse along with the names you already know. The members who work with Christine Ohlman and Rebel Montez are:

Cliff Goodwin: He is the legendary New England Rock n’ Roll gods The American Standard Band. Joe Cocker and Robert Palmer called Cliff to be their lead guitarist because of his legendary reputable signature in performance. The music industry fames Cliff; he not only shares the stage, Cliff rocks the House.

Michael Colbath: He is the Jazz at the base of his own rhythm. Known as “Buddha of the Bass”, his stage presence goes deep. With Michael’s fingers at the bass, his performance with Duck Dunn, James Jamierson and John Paul Jones brought his rhythm to high inspirations. He delivers the inspiration in music at its original context.

Larry Donahue: He can beat at 300 BPM. With his coordination beat and percussion moves, he has unshakable timing. A world of inspiration, at LA’s turbulent music scene, Larry has the elegant Stax styling of Al Jackson, Jr. to Wamack’s “Scratchy” and Frank Kirkland’s jungle-drum excursions with Bo Diddley. With Donahue’s Motto “Have Drums, Will Grove”, he is born again every time he picks up those sticks.

Beewiz….where will the Beehive Queen Be Performing Next??? Only one way to find out:

CLICK HERE TO ORDER “THE DEEP END” CD: ON AMAZON.COM
CLICK HERE TO DOWNLOAD “THE DEEP END” on iTunes

ORDER THE CD OR DOWNLOAD ‘THE DEEP END”  through SHOP HorizonVU Music

VISIT CHRISTINE OHLMAN AT www.ChristineOhlman.com

Venture Out! is an Online Magazine that Delivers You News from Sports, Music and Film Entertainment, Reviews, People from all Walks of Life and More! CONTACT US! We love to hear from our readers.  Email: ContactVentureOut@gmail.com or visit www.VentureOutMagazine.com

I remember very well, how I first came to know of Ann’So M. At the time I was doing consulting work in the biz for a previous employer (yes, life before HorizonVU Music) and I was making a concerted effort to bring myself up-to-speed on the emerging rock and alternative scene in France.

Now, arguably, hours on MySpace and Facebook might not be viewed as the best way for an experienced consultant to be spending time – but we do what we need to do…In the process of my search I came across Ann’So M. and her  first eponymous CD.

First, and I have to be honest, she has a totally awesome look about her. Second, and  more to the point, rock or ballad, her music is powerful and moving  - saturated guitars are mixed up with her beautiful, warm and textured voice.The melancholic lyrics dealing with themes such as the constant craving for freedom, the nostalgia for childhood or the inexorable passage of time always sound accurate and true.

Singer and songwriter Ann’So M. was born in December, 25, 1981 in Caen (France). At an early age she began, she began her studies in the Conservatoire where she learned dance, music theory and piano. Her passion for music grews, and she decided,after her baccalauréat (General Certificate of Education) to follow her passion as her profession. Since the age of 15, she has been working on her multiple studio recordings. She started on stage with her first band and the Europe 2 Campus Tour awakened a true  pleasure for being on stage. The attraction for the public, the need of exchange and complicity…she cannot live without it today!

For many years now, she has been  part of the scenes such as Le Réservoir, La Scène Bastille, Le Cargö, L’Exo7, Le PetitJournal Montparnasse and many others, performing first part concerts for famous rock bands Luke, Dolly, BB Brunes and Mademoiselle K.

She has participated in several TV and radio programs (Europe 2 TV, Europe 1, France 3, NRJ… ) A massive presence on the web (on Myspace http://www.myspace.com/annsommusic and Facebook  http://www.facebook.com/#!/annsom2?ref=ts as well as her own site makes her very accessible on the Internet http://www.annsom.com.

Her new album “Pas à pas” (”Step by step”) is  energy – always with a conscience – hard hitting   as “Paris” and “Wake Up” – or melodic and warm as  “Save the Day”.  Lyrics oscillate between an incitement to awake consciences and more poetical ballads. Thanks to her meeting with Louis Bertignac, she has recorded “Je ne veux pas être celle”, arranged, mixed and played at home by Louis Bertignac himself. For those of you not entirely into the French music scene – Ann’So has started singing in English as well as French – even die-hard anglophiles should check out Ann’So M.

You can see Ann’So M. in Paris July 28 at 8:30pm – July 29 at 12:00am at Le Réservoir 16 Rue de la Forge Royale 75011. Find “Pas à pas” and download links at SHOP HorizonVU Music http://blog.horizonvumusic.com/?page_id=1458 and listen on Fréquence Orange http://www.frequenceorange.com/index.php

Recording Artist Dean Robert Puts His Best Foot Forward!


By: Maggie Griffin

The best part about stepping into a music performer’s heart is actually seeing them in action. With Dean Robert, that is exactly what happened. Having heard he was doing a special appearance for his friends and family in his home town at Praxis in Wallingford, CT; I had to take this opportunity to go there and watch a Rising Star perform his new single “Best Foot Forward.”

Moving around the room trying to get the best photos of him, I noticed two glowing people at Dean’s performance as well as other friends and family. Later that evening I spoke to Dean only to discover those two people are his parents, Ralph and Reyna Purificato.

Dean Robert on stage with B.B.P.T – Banging Base Player Tom (aka Tom Oppelt), not only did he put on a show; his performance put his audience at a wisp in the entire room. The melody sound of Dean Robert, his strong flex to his guitar, combined with his energy, he knows how to bring his performance to the highlights of the nights he performs. There is no doubt that Dean Robert IS a rising artist of music where he symbolizes the spirit in today’s generation just by his voice, moves and acoustic style, being multi-instrumental with a vocals that carry a perfect match sound in moves, rhythm and beat.

Dean opened for Ryan Cabrara last December. Dean’s style is similar, yet unique in his own brand that creates an all around sound. Watching Dean perform, my thoughts were “move over Ryan Cabrara and Justin Timberlake – you guys have competition! Additionally, he’s opened for bands Lovedrug and The Myriad.

Dean certainly does put his entire strength in his music performance. Putting his best foot forward is exactly what he does. And the song Best Foot Forward is a song that is often heard on his myspace page along with his live performances. He also puts the feel into what he does, taking every belief and breath in singing and performing.

Performing since a young age, Dean has been seen performing at charitable events, such as Freedom 4-24. This cause is to help women in desperate need to seek a better life and career.
A Connecticut Native that resides in Virginia, Dean’s performances have reached the East Coast with several fans that actually follow him. He is not just good, Dean Robert is great! With his acoustic talented fingers at the strings of his guitar, his finger tips move quick in action on those frets and strings. In between songs, B.B.P.T. and Dean Robert also like to amuse the spirit of the audience. It is obvious that B.B.P.T. likes to perform his base wearing his baseball cap and knee shorts while Dean takes pleasure in his style to the mile in jeans. Like any performer, Dean captures his audience by directing them to a world of entertainment, this time in Dean’s style. As for B.B.P.T. he plays close attention to his base, working his tone to the bone, which certainly keeps up with Dean’s energy.

Visit Dean Robert and his newest of songs at www.myspace.com/DeanRobertMusic, where you can also contact him direct.

Venture Out! is an Online Magazine that Delivers You News from Sports, Music and Film Entertainment, Reviews, People from all Walks of Life and More! CONTACT US! We love to hear from our readers.  Email: ContactVentureOut@gmail.com or visit www.VentureOutMagazine.com

Katrin ‘ “Boston’s Next Big Thing” – rocked Paris, France on Monday presented by HorizonVU Music and broadcast by Fréquence Orange. Performing at the AMEX Café, man did she rock.  Her sets featured songs such as “Stepping Stones” and “Wildflower” – the kind of dynamite material you’ll find on her new release “Soul Wide Open” (check out SHOP HorizonVU Music for the CD and downloads).  In addition to her own extensive original inventory, she added in covers from The Police, Led Zeppelin and Joni Mitchell which brought the house down.

Katrin takes original acoustic-based rock to new and exciting places. Her skillful guitar work and powerful voice make Katrin shine wherever she appears.

She’s returning back home where you can see her at on 17 July at the Lowell Summer Music Series http://www.lowellsummermusic.org/page.php?wpage=home/home.htm. She’s opening for Joan Armatrading,  and while we know Joan will not disapppoint (check out her new release “This Charming Life”),  in our opinion, Katrin will give a performance that more than covers the price of the ticket.

Acccording to Mike O’Cull, Riffs Magazine:

“Soul Wide Open is clearly the work of an artist who knows just what she wants and goes after it with the confidence that greatness brings. Though she tackles many moods and feels in the course of this ten-song set, Katrin’s grooves and voice tie it all together and make the tunes go down like a real album (remember those?) and not a mere collection of singles. Indeed, there is enough musical firepower here to start a national blaze if she is given the opportunity to seduce the music world at large. Here’s hoping that she gets that chance sooner rather than later, as talent like this deserves the biggest audience it can get”.

Originally from Newton MA, Katrin has been performing in New England clubs and coffeehouses since 1993. She began singing at the age of three, and started violin at age seven. Her love for songwriting was ignited when she picked up the guitar and formed a band at age eighteen. Her classical and rock n’roll background, give her music depth in both melody and rhythm. Katrin’s recent release “Nature Spirit” has been receiving great reviews- “More than just a local icon. With a voice this powerful the world is at her beck and call”-Douglas Sloan , Metronome Magazine “With a melodic, passionate songwriting style, the Boston-based Katrin is in a word; spellbinding.”-Block Island Music Festival 2005 “Katrin is a refreshing departure from the predictable world of folk and acoustic music.

Find “Soul Wide Open” and download links at SHOP HorizonVU Music http://blog.horizonvumusic.com/?page_id=1458 and listen on Fréquence Orange  http://www.frequenceorange.com/index.php


CHRISTINE OHLMAN and REBEL MONTEZ
(Cliff Goodwin/guitar, Michael Colbath/bass, Larry Donahue, drums)
In support of their current CD, The Deep End, released April 6.

Album features Marshall Crenshaw, Ian Hunter, Dion, Levon Helm, Andy York, G.E. Smith, Big Al Anderson, Catherine Russell, Eric “Roscoe” Ambel, and the Asbury Juke Horns. Who knows who will drop by?

Friday, July 23, 8 p.m. • OLD SAYBROOK, CT • Katharine Hepburn Performing Arts Center; 300 Main Street –  860.510.0453

Christine Ohlman, The Beehive Queen, shows up for The Kate’s Friday Night Concert Series, ready to light up the stage with Rebel Montez in celebration of The Deep End, their latest release. The Sin Sisters (Patti Rahl, Janice Ingarra and Kathy Kessler), who last partnered with Ohlman on her Strip CD, will blend their gospel harmonies with the Queen to get WAY down in the Beehive! https://tickets.katharinehepburntheater.org/TheatreManager/1/login&event=180

FOR MORE INFORMATION: www.christineohlman.net
contact Christine Directly: c.ohlman@comcast.net

SNL’S CHRISTINE OHLMAN RELEASES THE DEEP END ALBUM FEATURING DUETS WITH MARSHALL CRENSHAW,
DION AND IAN HUNTER ON APRIL 6

Queen of blue-eyed rock ’n’ soul’s new album also features special guests G.E. Smith, Eric “Roscoe” Ambel, Catherine Russell, Levon Helm, Asbury Jukes Horns and Big Al Anderson, among others

NEW YORK, N.Y. — Christine Ohlman, a.k.a. “The Beehive Queen,” whose “day job” is that of the flashy, gritty long-time featured vocalist with the Saturday Night Live Band, has completed her first new album in five years, The Deep End, to be released by the Horizon Music Group through Selct-O-Hits on April 6, 2010.

Having won the respect of many fellow artists over the years, Ohlman recruited a stellar group of them to contribute to the new CD, including Marshall Crenshaw, Dion DiMucci and Ian Hunter as duet partners, as well as an all-star list of accompanists: G.E. Smith, Eric “Roscoe” Ambel from the Del-Lords, NRBQ veteran Big Al Anderson, Catherine Russell, the Asbury Juke Horns (Chris Anderson and Neal Pawley) and more.

Working in a swampy, guitar-driven style of contemporary rock/R&B, Ohlman andThe Deep End co-producer Andy York (John Mellencamp) crafted 15 songs of life and love tempered by loss. It is Ohlman’s first album of new work since 2004; her recording hiatus followed the deaths of both long-time producer and mate Doc Cavalier and guitarist and founding member of Ohlman’s Rebel Montez band, Eric Fletcher. (The band presently includes Michael Colbath, bass; Cliff Goodwin, guitar; and Larry Donahue, drums.)

Christine is a musicologist of note of whom SNL bandleader Lenny Pickett, quoted in the New York Times, once said, “She knows the really good, obscure stuff.” The covers on The Deep End were lovingly chosen from her fabled record collection. She duets with Dion on the obscure Southern soul gem “Cry Baby Cry” and with Crenshaw on a Motown classic, Marvin Gaye and Mary Wells’ “What’s the Matter With You Baby.” A third duet with Ian Hunter on Ohlman’s own “There Ain’t No Cure” celebrates her love of the music and language of the Delta behind a punked-out, soul-searing groove. It’s one of a group of eleven new originals that includes “The Gone of You” (a song of loss and longing so central to The Deep End’s theme that it appears twice: in a full-band version and in York’s evocative, loop-driven demo, dubbed “After Hours” both for Ohlman’s late-night vocal and its darkest-before-the-dawn sensibility); the Muscle Shoals-tinged ballad “Like Honey”; flat-out barnburners “Bring It With You When You Come” and “Born To Be Together”; and Ohlman’s post-Katrina lament “The Cradle Did Rock,” which will appear later this year alongside tracks by Irma Thomas, Dr. John and Allen Toussaint as a bonus cut to the reissue of Get You A Healin’, a CD benefitting the New Orleans Musicians’ Clinic. The late Eric Fletcher is memorialized in the album’s third cover, a pristine reading of Link Wray’s “Walkin’ Down the Street Called Love.”

Ohlman and her previous recordings have impressed critics. The late Brownsville Station leader, bluesman and musicologist Cub Koda, writing in Stereo Review, believed, “Musical treasures like this don’t come along very often. Ohlman is the number one secret weapon in America’s gal-singin’ sweepstakes.” Charles M. Young in Playboy observed, “The first thing you notice is her tough, rousing, sexy voice.”Elmore magazine noted: “Few singers today are truly versed like Ohlman in all things soul. Tough and raw around the edges, she belts with a voice steeped in the heritage of this musical tradition.” All Music’s Hal Horowitz raved: “Ohlman never sings a tune halfway . . .she’s the leader of the pack.” And of the new album, critic/broadcaster Dave Marsh said, “There are so many ‘wow’ moments.”

In addition to her years on Saturday Night Live, Ohlman has an impressive resume. She sings on the theme song for 30 Rock; performed at Bob Dylan’s 30th Anniversary bash at Madison Square Garden with George Harrison and Chrissie Hynde; performed at President Obama’s Inaugural Gala in Washington, D.C.; led Big Brother & the Holding Company in a Central Park tribute to Janis Joplin; worked on a musical with Cy Coleman, who compared her sense of timing to that of Peggy Lee; and frequently duets with blues legends Hubert Sumlin and Eddie Kirkland. She also edited Rolling Stones producer Andrew Loog Oldham’s autobiography2Stoned (Oldham described Ohlman’s Wicked Time as “a deep swamp theme to a movie Burt Reynolds wished he’d made’) and worked with Bonnie Raitt and Ry Cooder at the Rhythm & Blues Foundation Awards — all while continuing to torch clubs up and down the Eastern Seaboard with Rebel Montez. She counts among her friends Willie Nile, Syd Straw, Charlie Musselwhite, Hal Willner, David Johansen, Paul Thorn and Marshall Chess.

A Connecticut native and resident, Ohlman played with G.E. Smith in the Scratch Band in the 1970s, leading to her long association with Saturday Night Live. Her stint in fabled Studio 8H of Rockefeller Center includes the Sinead O’Connor and Ashley Simpson meltdowns (she was present for both) and the current season’s hilarious “Swine Fever” commercial parody, featuring a magnificently beehived Ohlman in full Dolly Parton regalia. She fondly recalls waltzing around 8-H with the late Chris Farley to Paul McCartney’s impromptu rehearsal performance of “Hey Jude.” With her long-time mate, the late Doc Cavalier producing, Ohlman released four records with Rebel Montez: The Hard Way (1995), the live Radio Queen(1997), Wicked Time (1999) and Strip (2003). In 2008 with current business partners Alex DeFelice and Vic Steffens at Horizon Music Group, she released a career compilation called Re-Hive. Yet she has remained under the radar — a best-kept secret. Until now.

Reflecting on The Deep End’s central theme of love both lost and found, Ohlman says, “Rosanne Cash and I were talking and she asked me if I’d written sad songs. It wasn’t until then that I realized I hadn’t. Ultimately, this album is about love and the courage to fall into it. Loss just informs you; it opens emotional doors that couldn’t possibly have opened before, no matter how much you thought you knew about it. I wrote about love — the newness of it, the glory of it, the loss of it, the sadness that can come from it, the wonder of it . . . the sweet bitterness of it.”

Cary Baker
conqueroo
11271 Ventura Blvd. #522
Studio City, CA 91604
Tel: (323) 656-1600
cary@conqueroo.com

Venture Out! is an Online Magazine that Delivers You News from Sports, Music and Film Entertainment, Reviews, People from all Walks of Life and More! CONTACT US! We love to hear from our readers.  Email: ContactVentureOut@gmail.com or visit www.VentureOutMagazine.com

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