Tag Archive: Artist(s) at Large


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Corner of Bd des Capucines et Rue Auber, Paris, January 8, 2013

Posted on January 8, 2013

Aziz_08012013This is what you do. You forget to change to the number 2 metro line that is the shortest way home as you smile back at a sign that says that this station is called Bonnes Nouvelles. Nice touch, you think but these words do not hit the spot. Patience is this hour’s virtue as you finally get up, mind a gap, head for a flight of stairs, then an escalator, then trample a few more stairs than are strictly necessary until you emerge through a wind tunnel with your back to what you came all this way to see. Its eyes bore through that center between your shoulder blades right through to the solar plexus and out the other side as you turn very slowly to savour the morsels of each second that bring you one step closer to seeing as believing that I think therefore it must be: Opéra Garnier.

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Corner of W 39th Street and 10th Avenue, NYC, December 15, 2012

Posted on December 15, 2012

Aziz_04012013_2
What’s a perfect day? A walk in the park after dawn; writing a few pages that I will, no doubt, find years later, in between the pages of a manual, a theatre program or a pair of odd socks as I read and wonder, what was that all about? A quick read of today’s papers before it’s time for a few weekly phone-calls. Saturday chores, a hunt for stamps to send bills and a few letters; a ballet class accompanied by a pianist worth moving mountains to move to New York for, Flora where sometimes Ballet Master Sasha just gets in the way and you just want to say, “Just let the lady play Sasha and no-one gets hurt…” I meet up with fellow Artist at Large William Catanzaro; we have been performing gigs in this city for a few years now; a glove to a hand, that’s how we sound. I give him a guitar for safe keeping. I walk past Lincoln Center, past the Alvin Ailey school – where I took my first Martha Graham class. A walk through the home from home of Hell’s Kitchen before going to see a performance by the the International Contemporary Ensemble (ICE) at the Baryshnikov Arts Center after which it is back to the drawing board. First, in a studio; then during the walk home, as the passers by fall into step with music I have just heard; a bus ride across the park. A glass of wine; it’s too cold to stand in the garden and smoke where the hurricane broke through the fence. Once, you might have waited for a civilized hour in European time so that you could draw a voice from sleep by saying, “You will never guess what I heard today.” And that voice would have said, “I’m listening.” Now, it goes without saying because it will be in everything that you create from now on, as you, like everyman, are a part of all that you have met.

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Corner of E 22nd and Broadway, NYC, November 26, 2012

Posted on November 26, 2012

Aziz_26112012I meet up with Kalypso near the Flatiron building which is where I was standing that monday afternoon when I was early and we had not yet spoken about her pilgrimage to Disneyland. As I stood looking up at the 8th wonder of this world a cop walks past me, slows down, looks up, and then turns to me and says, “I thought someone was about to jump.” We chuckle a little nervously and I tell him that I never actually took the time to study at the building and he stands with me for a moment and strains his neck and says something like, “You’re right, there are details there, in the stone, that I never saw before.” We shake hands, and I turn to catch the eye of the Empire State building that I am saving for later, as I remember asking B. what it was like to go right up to the top and he said, “It’s high.” Another one of his Haikus for something that I play pretend to understand. We sit, Kalypso and I in a restaurant nearby afterwards and we speak about the time she saw Barbara’s last concert in Paris and when everyone started to sing after she left the stage, “Dis, quand reviendras-tu?” as we shiver in the presence of what Robert would summarise thus: alors ça, c’est du serieux.

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Corner of East 49th and 3rd Avenue, NYC, November 23, 2012

Posted on November 23, 2012

Aziz_23112012We’re gathered here today to commemorate the time I went to Smith & Wollensky‘s and ate crab cakes instead of the 1st amendment duty to conquer a steak with fries and a desert that will have you occupying your nearest gym from here to the weigh in at the gym called kingdom of eternity with elliptical trainers in abundance. It was a working dinner which was creased into airplanes of laughter that we threw around midtown afterwards once we got past trading horses that have long since bolted to the new pastures of time shares in Majorca, Florida, Shanghai who knows. But it’s the thought that counts as we speak of jobs that we both know no longer exist, but we talk as though it was only yesterday in that happier hunting ground called the Eurozone that someone said, “Now Hiring”.

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Corner of Ave du Maine et Rue des Plantes, November 13, 2012

Posted on November 13, 2012

Mirian Aziz 13 November 2012
This was Paris, in time for a late breakfast at Chez Félicie opposite the square where I saw the carousel that was a separated at birth identical twin to the one I used to frequent at the Place Wiener in Brussels. What I remember then which is as I live, momentarily now, and not as previously seen in New York but 24 hours earlier, is the common sense to take time, to read, to write, to glance and to linger as the first and the last thing that the day delivers. I sat here three years ago on my way to New York and now it seems that I have returned to ask myself the same question: New York, New York? Though it is similar, we are not the same as the opening line of today’s paper reminds us: La fin de la période d’essai. We are neither and no longer the understudy nor the apprentice. The name of the paper? Libération.

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Corner of Union Street and 4th Avenue, Brooklyn, November 10, 2012

Posted on November 10, 2012

As you know, the aftermath of Hurricane Sandy will be a long process of reconstruction. Spare a thought, or better yet, a dollar or two or several…Communities of artists have been incredibly supportive and proactive in organising benefit concerts and happenings across the five boroughs of New York. We had a great turn out at the Remix Festival yesterday at the Brooklyn Lyceum, where I was moderating a panel on Literature and Remix with Jonathan Ames, Eduardo Navas, Ed Champion, and McKenzie Wark. The Lyceum was affected by the Hurricane and so we had little by way of heating and light, but we persevered and had a great discussion on Literature, Copyright and Fair Use anyway!

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Corner of W 37th Street and 10th Avenue, NYC, October 20, 2012

Posted on October 20, 2012

Artist (s) at Large premiered Lost for Words as featured artists as part of the multi-media salon concert series produced NYsoundCircuit at Mary Flagler Cary Hall, the DiMenna Center for Classical Music on October 20th, 2012. Check out the slideshow ! TracyoutThere opened a champagne bottle during the second act, and handed me a glass whilst we continued to perform and I toasted New York, New York, this city which, as Gerry says, makes you do things you have never done before – a place where you outdo and outlive that postage stamp version of yourself that, if left unattended, shrinks to fit.
Photo Credit: Lena Adasheva

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Corner of W 37th Street and 10th Avenue, NYC, October 1, 2012

Posted on September 30, 2012

The Artist(s) at Large are Lost Words by Miriam Aziz

The Artist(s) at Large are Lost Words by Miriam Aziz


Miriam Aziz and Artist (s) at Large premiere Lost for Words as featured artists as part of the multi-media salon concert series produced by NYsoundCircuit at Mary Flagler Cary Hall, the DiMenna Center for Classical Music, – home of the Orchestra of St Lukes. Dancers, musicians and other invited artists curate the search for movement and gestures that may, if not replace words, co-exist with them, and perhaps even surpass them.

Lost for Words is the culmination of the Artist(s) at Large performance lab founded by Miriam Aziz in 2011 and directed and choreographed by her. A new creative platform, dancers experimented with music and movement in rehearsal studios at the Baryshnikov Arts Center in New York in order to develop exercises in communication through music, dance, theatre and film. Every session was filmed and was edited into an on-line Video archive called Were you with Me? which was designed to encourage discussion of the experience of being speechless. The result, Lost for Words, is a play on words where the listener is invited to participate in the art of story-telling.

“I composed the music for Lost for Words through movement,” remarked Aziz. “I worked with members of Artist (s) at Large as I created choreography and mis-en-scènes. It was thrilling if a little unsettling at times as I was not used to composing music this way, that is to say, through and with the body and not before it or simply as though it did not exist. I started to think about whether it was possible to co-ordinate different dimensions of communication not only as a part of a Gesamtkunstwerk but as a way of rethinking of what counts as testimony.” In all her work, Aziz’s past scholarship and experience as a lawyer has been concerned with how rules of law and etiquette frame the way we communicate, particularly in the face and aftermath of human rights violations. Lost for Words is also part of a research project which has been developed at Cardozo Law School, where Miriam Aziz is currently a visiting scholar.

Miriam Aziz and Artist (s) at Large premiere Lost for Words as part of NYsoundCircuit, a multi-media salon concert series at Mary Flagler Cary Hall at the DiMenna Center, New York – 450 W 37th Street, Saturday October 20, 2012, The show will begin at 8pm. Admission is$10.

Music and Mis-en-scène by Miriam Aziz. It is performed by:

Dancers: Mariliana Arvelo, Miriam Aziz, Jamie Chandler, Sarah Eyde, Bethania Rivera, Cedric Todd.

Musicians: William Catanzaro, percussion; Pablo Masis trumpet.

Videographer: Jimmy Ferguson

For further information see: http://miriamaziz.wordpress.com/

Photograph courtesy of Stefano de Luigi

Support for this performance was made possible by subsidized rehearsal space at the Baryshnikov Arts Center by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

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Corner of where were and where are we? NYC, September 1, 2012
Posted on September 1, 2012

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Corner of W 37th Street and 10th Avenue, NYC, July 13, 2012
Posted on July 13, 2012

And we’re back, (a) live from the Baryshnikov Arts Center. Sarah wants to dance. And so she does, to Beethoven’s 7th, and as I piece together a seven minute mis-en-scène, I start to understand what I have been listening to these past weeks. It is here, this instant which reduces the day to day to the rubble of a contradiction in terms. Sarah needs an audience and so I ask a group of children who are in the hallway waiting for their turn, to come in. We make a new piece in ten minutes with these children from the Kid’s Theatre as the studio inhales and exhales life 3D. Days earlier, all I had seen was a cluster of lines, jostling for position as they danced on pins and needles.

I still hear the whoops of the Kid’s Theatre children as we assembled the piece. Sarah is dancing, I’m putting together the piece with the children, the music is playing and there is, all at once, nowhere and no-one else I would rather be. The day is a perfect arc as I finally feel what I was previously, unable to fathom. Back to you in the studio…

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