Anohni is the English-born singer, composer, and visual artist and the lead singer of the band Antony and the Johnsons. The song “Manta Ray” in the film Racing Extinction earned her and Academy Award nomination for Best Original Song along with J. Ralph. Her debut solo album, “Hopelessness”, was released in May 2016, and was nominated for the Mercury Music Prize as well as a Brit Award. Paradise is a six-track EP. The dominants messages aggressively challenge male economic and political dominance. Overall, this EP is a commanding and influential contribution.
The 12th edition of ÉCU – The European Independent Film Festival will be held in Paris, France on 21st, 22nd and 23rd of April 2017
Female Filmmakers Initiative: Barriers and Keys to Success for Women in Film
Where: Les 7 Parnassiens, 98 Boulevard du Montparnasse, 75014 Paris
When: Saturday, April 22nd // 10:30 – 11:30
Featured Speakers: Bianca Mina and Aloïse Gouptil-Tiers
Sponsored by HorizonVU Music
The purpose of this interactive workshop is to further understanding of the barriers and keys to success for women in film and music through the personal experiences and observations of two featured female panellists representing and speaking to different dimensions of the professional film and music industries Bianca Mina and Aloïse Gouptil-Tiers. The program is intended to facilitate interaction among people interested in issues related to participation of women in film and music and to suggest action points.
Bianca Mina is a passionate writer/director/producer. Bianca majored in Film Studies at the American University of Paris, Latin American Film at NYU Buenos Aires and Film Producing in Los Angeles with independent filmmaker mentor, Tom Malloy. She has been working in the film industry for 8 years now and some of her projects include documentary “Fuera de casa” filmed in Panama, a successful sitcom on Romanian prime time television and two shorts films written, directed and produced in Paris.
After a childhood in Marseille, Aloïse came back to Paris and studied alternative culture through many travels, linking sociology studies and photography. She stayed one year in Poland where she became interested in Pacific revolution and owning properties conception, and received the first Polish prize for portraits. She worked as a photographer in Mumbai, India, for The Hindustan Times newspaper. Nowadays she is making movies in France and keeps taking pictures as often as she can.
Gabriella Cohen, known for her efforts along with Jim Grffin as frontwoman with The Furrs, has released her first solo album. Her solo work is not as harsh as that of The Furrs, but rather dreamy – alluring or captivating. There is a variety of moods to be fouond on the album ranging from the narcotic or druggy sound of “Sever the Walls” to the ’50s pop-rock vibration of “Feelin’ Fine”. Overall, the influence of Velvet Underground on Cohen is evident. There’s a lot going on as far as the album is concerned which might give rise to some uneasiness on the part of the listener. “Full Closure and No Details” is definitely worth the time for a listen and signals more to come from Gabriella Cohen.
Supergroup, Crystal Fairy, was formed in 2016 by Buzz Osborne and Dale Crover of the Melvins, Omar Rodríguez-López of At the Drive-In and the Mars Volta, and Teri Gender Bender of Le Butcherettes. The eleven-track album features head banging cuts such as “Chiseler” as well as more moderate contributions (”Moth Tongue”). Crystal Fairy is the Pick of the Week primarily due to the contributions of Teri Gender Bender whose vocal range and flexibility make for amazing transitions across the scales without grinding the gears. This album is not for everybody. Those with a preference for more moderate or tame genres might find the stoner metal – heavy metal with psychedelic rock and punk – tough going. Hey, to each their own. Take some time to check out the album.
The Courtneys are back with their second release, The Courtneys II. The Vancouver-based fuzz-pop band brings together Jenn Twynne Payne (lead singer-drums), Sydney Koke (singer-bass) and Courtney Loove (guitar) offering ten tracks of straight forward fuzz power-pop. Overall, the tracks are pop, but not overly so. There still some pretty rough edges (grunge), so you can have a good time enjoying the album and feeling good without risk of feeling bubbled to death.
Los Angeles-based pop trio MUNA’s first album “About U” is power-pop/new wave advocating for political and social change – women’s rights, abusive relationships and violence. The album is self-produced highlighting Katie Gavin’s strong vocals and guitars of Naomi McPherson and Josette Maskin.
Alabama native Allison Crutchfield has released her first solo album “Tourist in This Town”. Produced by Jeff Zeigler, the album makes use of Zeigler’s knowlege of synthesizer music lending space to the recording. As for Crutchfield she artfully captures feelings of that go with breakups (anger and sadness), but the listener won’t feel trapped in the past. It’s clear that Crutchfield has moved forward. While there’s a sense of popishness on the album there’s still plenty of rock influence.
Cherry Glazerr brings on great post-punk/indie noise pop with this latest release “Apocalipstick”. Clementine Creevy heads up the band along with drummer Hannah Uribe , vocalist Sophia Muller and bassist Sean Redman. “Told You I’d Be With The Guys” is an stand-out track along with “Nuclear Bomb” (the video features Creevy having an interesting, however bizzare) relationship with her Rickenbacker https://www.youtube.com/watch?v=l3Pnr3S10yA
Led by singer/songwriter Lydia Night, The Regrettes have released “Feel Your Feelings Fool!”, delivering a very high energy punk-pop thwack. Despite the sense of urgency one might feel from the fifteen-track album, the band is led by Lydia Night who does know how to write songs that stick. Night formed the Regrettes with guitarist Genessa Gariano, bassist Sage Nicole, and drummer Maxx Morando in 2015.
Above expectations. Romy Madley Croft along with Jamie xx and Oli Sim has undergone a transformation an moved into the mainstream over the past years bringing us “I See You”; a smooth, vibrant release.