Tag Archive: Sara Bareilles

Elizabeth Ziman, who performs as Elizabeth and the Catapult, is a critically acclaimed singer/songwriter from New York, living and working in Brooklyn. She’s toured​ with the likes of Sara Bareilles​ and Sara Bareilles; collaborated with Esperanza Spalding, Gillian Welch, Blake Mills​ and ​Ben Folds; scored, with Paul Brill, a variety of international award-winning documentaries including Trapped, a Peabody winner; and won the 2015 Independent Music Award for Songwriting, Folk category. Her songs have been featured in national television campaigns for Google, Amazon, Sky TV, and “​So You Think You Can Dance”​. In 2014, “Like it Never Happened” her third studio album was released by 30 tigers and produced by Dan Molad, Peter Lalish and Paul Loren with string arrangements by Rob Moose. In 2015 “Like it Never happened” was nominated for best album, best song, and best video by The 14th Annual Independent Music Awards and “Someday Soon” won the award in the “Folk/Singer-Songwriter Song” category. In October, “Keepsake” was released and was HorizonVU Music’s pick of the week

HVUM: Thanks so much for taking time to talk to us! We feel like we know quite a bit about your musical history from the time of your growing up in Greenwich Village, your training as a classical pianist, and your connection with Patti Austin and other prominent musicians. We understand that Elizabeth & the Catapult came into existence in 2004, and included Danny Molad on drums and Danny Molad on guitar.

Would you fill out the history a bit? Tell us about how Elizabeth & the Catapult came to be. Was the project conceived with a special identity and sonic signature in mind?

EZ: I started writing songs throughout college and when I left school, I moved to new york with some other college buddies and we started recording our first self titled EP at home. A year or two later it caught the attention of Verve Records, and we made our first album “Taller Children”.

HVUM: “Keepsake” is your fourth album following after “Taller Children” (2009), “The Other Side of Zero” (2010) and “Like It Never Happened (2014). Is there a continuity to your music over time? Is there a thread that we can follow from your training at the Berklee College of Music through to today?

EZ: I went to Berklee College of Music for composition and film scoring, so I feel like the main thread across all of my albums is that my ear usually leans towards more cinematic arrangements, sometimes the flourishes give it a bit of a theatrical flare and I have to hold myself back, but in general I’m drawn to layers and wide variety of instrumentals.

HVUM: Thinking back over your musical training and your success at bringing together multiple genres including pop and jazz, who do you consider to be your key influencers? Did you have a certain mentor who played an exceptional role in setting out your musical roadmap?

EZ: when I was very young I was a member of the New York City Young People’s Choir which was run by a brilliant composer and teacher named Francisco Nunez who recently won the MacArthur award for his compositions. By the time I was 10 years old we were competing professionally, and I was singing solos in carnegie hall. I left the chorus by the time I was 12, and I wouldn’t make it back to playing Carnegie Hall until another 15 years later with my band. Both the experiences and Francisco’s unusual classical writing style most definitely had an influence on who I am today.

HVUM: Many of our young readers are setting out in music and frequently ask about the advantages and disadvantages of D.Y. I. vs pursuit of a label. Or maybe there is something in the middle such as what John Kellogg at Berklee refers to as Doing It With Others? What is your point of view?

EZ: As is obvious, the music business over the last five years is in a very precarious position compared to the way things have worked over the last 70 years. Yes, labels shut down, people stopped buying cd’s, and everything became virtually free through digital downloads and streams- but the music business always finds a way so even super popular successful artists decided to break away from labels, start their own, and start getting involved in Kickstarter campaigns. I myself raised money for the last two albums on pledge music, and even though I’m not signed to compass, the whole album was funded by my fans. That’s a very lucky thing- and is becoming more commonplace everyday.

HVUM: With respect to “Keepsake”, You’ve stated that the lyrical ideas came to you from lucid dreams. Would you elaborate on that a bit and relate your dream experience(s) to one of the album’s standout tracks “Underwater”?

EZ: Ha. Yes, I had a terrible flu a couple winters ago when I was moving into a new house and started having fever dreams, so as my dreams got stranger I began writing everything down for posterity. There were a lot of nostalgic dreams, and I coupled those with old diary entrees I found when moving- it was as if I was filling in my life backwards through my dreams. And with that was the birth of “Keepsake”.

HVUM: Let’s take time out for a look and listen to “Underwater”, the second track on “Keepsake”.

HVUM: You give attribution for the video to Meredith Adelaide. Tell us about that collaboration and connecting the composition and lyrics to the video production?

EZ: Meredith is incredibly talented, I feel so lucky to have found her. She’s somewhat of an Instagram sensation, so I found her self-portraits online and just fell in love with her photography. Her style is incredibly raw, and somehow both vulnerable and strong at the same time- just super honest. She did a great job of capturing the chaos and joy that is New York City! It was a delight to shoot with her.

HVUM: Imagine that Elizabeth Ziman is a book. What would be the title? Why?

EZ: well my intials are EZ, so maybe “EZ DOES IT” ?

HVUM: Finally, what is on the horizon for you and your work? Any tours ahead?

EZ: Hopefully tons and tons of touring this year! We’re going to Nashville this month, an east coast run in December and then hopefully out to the west coast in January. There will be plenty of running around ahead!

Elizabeth, thanks again for interviewing with us. We wish you continued success and we hope to see you in Paris very soon!

Visit Elizabeth & the Catapult at Facebook and iTunes

What’s The Buzz ?

December 06, 2013

Posted from http://www.grammy.com/news/jay-z-tops-56th-grammy-nominations-with-nine

Nominations for the 56th GRAMMY Awards were announced tonight by The Recording Academy and reflected one of the most diverse years with the Album Of The Year category alone representing the rap, pop, country and dance/electronica genres, as determined by the voting members of The Academy. Once again, nominations in select categories for the annual GRAMMY Awards were announced on primetime television as part of “The GRAMMY Nominations Concert Live!! — Countdown To Music’s Biggest Night,” a one-hour CBS entertainment special broadcast live from Nokia Theatre L.A. Live.

Jay Z tops the nominations with nine; Kendrick Lamar, Macklemore & Ryan Lewis, Justin Timberlake, and Pharrell Williams each garner seven nods; Drake and mastering engineer Bob Ludwig are up for five awards.

“This year’s nominations reflect the talented community of music makers who represent some of the highest levels of excellence and artistry of the year in their respective fields,” said Neil Portnow, President/CEO of The Recording Academy. “Once again, The Academy’s awards process and its voting membership have produced an impressive list of nominations across various genres promising music fans a spectacular show filled with stellar performances and unique ‘GRAMMY Moments.’ We are off to a great start and look forward to GRAMMY Sunday as Music’s Biggest Night takes the stage.”

Following are the nominations in the General Field categories:

Album Of The Year:
The Blessed Unrest — Sara Bareilles
Random Access Memories — Daft Punk
Good Kid, M.A.A.D City — Kendrick Lamar
The Heist — Macklemore & Ryan Lewis
Red — Taylor Swift

Record Of The Year:
“Get Lucky” — Daft Punk & Pharrell Williams
“Radioactive” — Imagine Dragons
“Royals” — Lorde
“Locked Out Of Heaven” — Bruno Mars
“Blurred Lines” — Robin Thicke Featuring T.I. & Pharrell Williams

Song Of The Year:
“Just Give Me A Reason” — Jeff Bhasker, Pink & Nate Ruess, songwriters (Pink Featuring Nate Ruess)
“Locked Out Of Heaven” — Philip Lawrence, Ari Levine & Bruno Mars, songwriters (Bruno Mars)
“Roar” — Lukasz Gottwald, Max Martin, Bonnie McKee, Katy Perry & Henry Walter, songwriters (Katy Perry)
“Royals” — Joel Little & Ella Yelich O’Connor, songwriters (Lorde)
“Same Love” — Ben Haggerty, Mary Lambert & Ryan Lewis, songwriters (Macklemore & Ryan Lewis Featuring Mary Lambert)

Best New Artist:
James Blake
Kendrick Lamar
Macklemore & Ryan Lewis
Kacey Musgraves
Ed Sheeran

Following is a sampling of nominations in the GRAMMY Awards’ other 29 Fields:

For Best Pop Solo Performance, the nominees are “Brave” by Sara Bareilles; “Royals” by Lorde; “When I Was Your Man” by Bruno Mars; “Roar” by Katy Perry; and “Mirrors” by Justin Timberlake.

The nominees for Best Pop Duo/Group Performance are “Get Lucky” by Daft Punk & Pharrell Williams; “Just Give Me A Reason” by Pink Featuring Nate Ruess; “Stay” by Rihanna Featuring Mikky Ekko; “Blurred Lines” by Robin Thicke Featuring T.I. & Pharrell Williams; and “Suit & Tie” by Justin Timberlake & Jay Z.

For Best Dance/Electronica Album, the nominees are Random Access Memories by Daft Punk; Settle by Disclosure; 18 Months by Calvin Harris; Atmosphere by Kaskade; and A Color Map Of The Sun by Pretty Lights.

The Best Rock Performance nominees are “Always Alright” by Alabama Shakes; “The Stars (Are Out Tonight)” by David Bowie; “Radioactive” by Imagine Dragons; “Kashmir (Live)” by Led Zeppelin; “My God Is The Sun” by Queens Of The Stone Age; and “I’m Shakin'” by Jack White.

For Best Alternative Music Album, the nominees are The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You by Neko Case; Trouble Will Find Me by The National; Hesitation Marks by Nine Inch Nails; Lonerism by Tame Impala; Modern Vampires Of The City by Vampire Weekend.

The nominees for Best Rap/Sung Collaboration are “Power Trip” by J.Cole Featuring Miguel; “Part II (On The Run)” by Jay Z Featuring Beyoncé; “Holy Grail” by Jay Z Featuring Justin Timberlake; “Now Or Never” by Kendrick Lamar Featuring Mary J. Blige; and “Remember You” by Wiz Khalifa Featuring The Weeknd.

For Best Rap Album, the nominees are Nothing Was The Same by Drake; Magna Carta…Holy Grail by Jay Z; Good Kid, M.A.A.D City by Kendrick Lamar; The Heist by Macklemore & Ryan Lewis; and Yeezus by Kanye West.

The Best Country Album nominees are Night Train by Jason Aldean; Two Lanes Of Freedom by Tim McGraw; Same Trailer Different Park by Kacey Musgraves; Based On A True Story by Blake Shelton; and Red by Taylor Swift.

The nominees for Best Americana Album are Old Yellow Moon by Emmylou Harris & Rodney Crowell; Love Has Come For You by Steve Martin & Edie Brickell; Buddy And Jim by Buddy Miller And Jim Lauderdale; One True Vine by Mavis Staples; and Songbook by Allen Toussaint.

This year’s Producer Of The Year, Non-Classical nominations go to Rob Cavallo, Dr. Luke, Ariel Rechtshaid, Jeff Tweedy, and Pharrell Williams.

This year’s GRAMMY Awards process registered more than 22,000 submissions over a 12-month eligibility period (Oct. 1, 2012 – Sept. 30, 2013). GRAMMY ballots for the final round of voting will be mailed on Dec. 11 to the voting members of The Recording Academy. They are due back to the accounting firm of Deloitte by Jan. 8, 2014, when they will be tabulated and the results kept secret until the 56th GRAMMY telecast.

The 56th Annual GRAMMY Awards will be held Jan. 26, 2014, at Staples Center in Los Angeles and once again will be broadcast live in high-definition TV and 5.1 surround sound on CBS from 8–11:30 p.m. (ET/PT). The 56th Annual GRAMMY Awards are produced by AEG Ehrlich Ventures for The Recording Academy. Ken Ehrlich is executive producer, and Louis J. Horvitz is director.

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